2022-23 Academic Year
Stephen Brown
March 9, 2023
Romancing the Book: Bibliophilia and the Crucial Materiality of Eighteenth-Century English-Language Print
The talk will explore several genres that arose during the first media revolution (1660-1830) as market forces developed capacities for the ever-increasing production and distribution of printed texts and ephemera, including newspapers, magazines, and parlor
games. Our attention will be focused on examining and handling period artefacts, rather than theorizing the topic. These will include original coffee house collections of The Spectator and The Athenian Mercury, the first family board games, the first children’s books, cook books, music, advertising, trade cards, satirical prints, and such related artefacts as eighteenth-century beggars’ badges and an example of a notorious “barber’s copy” of a very rare eighteenth-century Scottish poetry collection.
Hugh Hodges
March 1, 2023
The Fascist Groove Thing: A History of Thatcher’s Britain in 21 Mixtapes
About the book
This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.
Jonathan Bordo and Blake Fitzpatrick
February 9, 2023
Place Matters: Critical Topographies in Word and Image
A meditation, in word and image, on the meaning and significance of place.
A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalise the study of landscape.
James Penney
January 19, 2023
Acts of Poetry, Acts of Interpretation: Genet and Lacan
This salon seminar will have two aims: first, to introduce my about-to-be published book Genet, Lacan and the Ontology of Incompletion; and second, to frame the challenge of introduction writing, which I’ve always found difficult, in a way that may prove helpful to a broader audience of graduate students and academics in the humanities. The book stages a somewhat high-concept dialogue between the French writer Jean Genet and the psychoanalyst Jacques Lacan on the philosophical theme of ontology, or the metaphysical inquiry into being.
I argue that Genet’s literary discourse on the poetic image and Lacan’s theory of the act of interpretation in psychoanalysis rely on a similar conviction concerning an inherent negativity in both knowledge and being: an epistemo-ontological torsion, discontinuity, or incompletion. Further, I consider the challenge of introducing the book’s complex theoretical argument (which considers both the long and complicated history of “poetry” as well as the references to logic discourse in Lacan’s theory of the act) while at the same time addressing the difficulty posed by writing about Genet, a major canonical figure of 20th century world literature with a huge and generation-spanning bibliography of criticism that includes monumental works by, among countless others, Jean-Paul Sartre and Jacques Derrida. Next, I try to position my book’s argument against the recent proliferation of ontological inquiry in so-called continental philosophy in currents such as object-oriented ontology (OOO) and speculative realism. Finally, addressing contemporary controversies linked to race, sexuality and the Israeli-Palestinian conflict, I reflect on the extraordinary continued relevance of Genet’s work today.
Pamela Forgrave
December 8, 2022
Damaged but Managed: Beekeeping as Transition Support for Soldiers and Migratory Honey Bees
This discussion focuses on veteran beekeepers in transition in the space of the apiary. Drawing on concepts of feminist new materialism, trans-corporeality (Alaimo), agential realism (Barad), and vital materialism (Bennett), Pam examines how the ‘veteran’ is created and “successfully re-established in civilian life” through relationships with honey bees. Pam argues that the veteran-honey bee relationship offers a bridge between the biological sciences and social humanities. The deep engagement of the veteran beekeepers with their honey bee subjects is an area that rational science often shies away from, however, these groups are demonstrating the impact of community, connection, and non-humans in mental health and identity recovery. Significantly, the veterans report intense emotional and sensory experiences in their relationship with bees and frame their engagement as “purposeful protection of honey bees through small-scale beekeeping”. It is also suggestive that the role culture plays in successful identity formation is significant enough to disrupt the current dominant medical model. But they also continue to reflect a commitment to binary understandings of identity rooted in colonial and patriarchal attitudes and humanist practices that have developed over centuries of interaction. Is partnership possible through ideologies of protection?
David Hollands
October 13, 2022
Believing in Illusion: Monstration, Contemplation, and Spectacle in the Hollywood Blockbuster
Tom Gunning's much debated description of early film as an exhibitionist cinema of attractions has been used as a theoretical framework to interpret a number of different types of films: films pre-1906 or 1908; avant-garde films from the 1920s and beyond; and the re-emergence and fierce popularization of the Hollywood Blockbuster from the mid-1970s to now. It is that last category that I focus on primarily. For theorists and critics like Linda Williams, Wanda Strauven, or Dick Tomasovic, attraction as defined by Gunning is applied broadly to the Hollywood Blockbuster in any number of ways, almost to the point where the concept has been stretched to breaking. What is not explored nearly as much in the same context is monstration, a cine-narratological concept proposed by Gunning's friend and collaborator André Gaudreault.
Like attraction, monstration in early cinema can also foreground the visibility of spectacle, but not necessarily in the same exhibitionist sense; monstration foregrounds visibility while attempting to hide the presence of the "narrator," the communicator of filmic discourse. In the context of the Hollywood Blockbuster, attraction is only one piece of the creation of onscreen spectacle.
Monstration emphasizes the temporal and graphic dimensions of a film's spectacle explicitly, and it does so in three ways: (1) the usually lengthy duration in screen time of the moments of spectacle, as seen in Gravity (2013) and 1917 (2019); (2) specific ways of shot framing of the moments of spectacle to emphasize their sense of believability, as used in Interstellar (2014); (3) manipulating the quality of the image itself at the time of shooting to make the image appear less constructed or mediated, as in Saving Private Ryan (1998). Just as attraction has been used to describe and analyze the aesthetics and technologies of Hollywood Blockbusters, monstration as an overall interpretative framework can also provide insights into how onscreen spectacle is constructed.
2021 - 2022 Academic Year
Fan Yang (杨帆)
March 11, 2022
Window of the World: Transparency, Digital Placemaking, and Shenzhen Urbanism
Shenzhen, the first Special Economic Zone established in 1979 in southern China, has transformed from a global electronics manufacturing hub and counterfeiting capital into a UNESCO City of Design within the span of four decades. This article examines three digital-imaging practices that emanate from the city to explore the city’s multiple connections to globalization from above and globalization from below. The first is the 2004 narrative film The World, directed by Jia Zhang-ke (often known as a Sixth-Generation Chinese auteur) and based in part on lead actress Zhao Tao’s experience working in Shenzhen’s Window of the World theme park. The second is Shenzhen-based company Transsion’s design of smart phones for the African market, which have roots in the city’s Shanzhai (i.e. “knockoff”) mobile phone sector. The third is large-scale light shows around the city in 2018-2019 that turn the facades of high-rises into electronic screens, featuring LED-light imageries generated by algorithms. Utilizing digital media to illuminate Shenzhen as a networked place in the world, these relational place-making practices simultaneously engage with and reveal the contradictions of transparency as a normative ideal upheld by global tech giants and Euro-American governments. Together, they provide a distinctive window to discern China’s cultural and political dilemmas in the 21st century.
If you missed this event, a recording is posted
Svitlana Matviyenko
January 14, 2022
Biological Citizenship: The Case of the Chernobyl Zone
Living in a “risk society” (Beck 1992) means witnessing a global increase in the number of man-made disastrous accidents, including technogenic catastrophes, that leave an irreversible imprint on the large areas turning them into ghostly exclusion zones or accidental territories, in the Virilian sense of the word. Drawing on the work of American anthropologist Adriana Petryna, this talk reads the material trace of radiation on the body as a marker of citizenship, or rather, “biological citizenship,” as a form of belonging to the accidental territory, produced by the state’s techno- and bio-politics.
If you missed this event, a recording is posted
Alexandra Boutros
November 18, 2021
A Cultural Studies Approach to the Communicative Praxis of Talking to Covidiots
The Covidiot (a portmanteau of Covid and idiot) is clearly a figure of our contemporary moment. But does this figure have its genesis solely in the COVID-19 pandemic, or does it emerge from other moments, or from pre-existing social and cultural conditions? In this talk I will ask who (are Covidiots), where (are they found), when (do they emerge), and finally why (talk to them) in order to explore what the Covidiot might tell us about how we apprehend concepts like health and illness; individuality and collectivity; freedom and restriction; safety and risk; and public and private. The figure of the Covidiot is embodied in bodies that are raced, classed, gendered, and positioned in relation to a host of subject positions including religion, settler-colonialism, and education. The Covidiot, I argue, emerges as a symptom of a dis-ease with subjectivity in a time of extruded civic responsibilities. Tracing the circulation of the Covidiot tells us about the cultural work it performs in a contemporary moment structured by a history of tension between dispersed civic-mindedness and pop culture individuality.
If you missed this event, a recording is posted
Armond Towns
October 21, 2021
The Medium is the Message, Revisited: Media and Black Epistemologies
Who is the human in media philosophy? Although media philosophers have argued since the twentieth century that media are fundamental to being human, this question has not been explicitly asked and answered in the field. Armond R. Towns demonstrates that humanity in media philosophy has implicitly referred to a social Darwinian understanding of the human as a Western, white, male, capitalist figure. Building on concepts from Black studies and cultural studies, Towns develops an insightful critique of this dominant conception of the human in media philosophy and introduces a foundation for Black media philosophy. Delving into the narratives of the Underground Railroad, the politics of the Black Panther Party, and the digitization of Michael Brown’s killing, On Black Media Philosophy deftly illustrates that media are not only important for Western Humanity but central to alternative Black epistemologies and other ways of being human.
If you missed this event, a recording is posted
Kama La Mackerel
September 23, 2021
Interstices: towards a decolonial trans poetics of the past and the future
Since graduating from the Theory, Culture and Politics MA program at Trent University in 2011, Kama La Mackerel has gone on to establish themselves as a leading multidisciplinary artist and writer in Canada. In this talk, they look over their body of artistic work of the past decade, which spans from performance, poetry, photography, the moving image to digital art and literary translation, to offer a theoretical framework in which they ground their aesthetics and politics. At once a performance lecture and a studio visit, this talk will delve into the following questions: Is a decolonial enunciation possible at all in a racialized body that bears the weight of colonial history? What are the strategies of selfhood that a trans artist can deploy to catalyze new signs of identity and innovative sites of collaboration and contestation? How can hybrid spaces and interstices provide an anticolonial framework to disrupt fixed identifications as they relate to space, time, history, language, kinship and the body?
If you missed this event, a recording is posted
2020 - 2021 Academic Year
Ricky Varghese
Masks and Masculinity
Ricky Varghese received his Ph.D. in Sociology of Education from the Ontario Institute for Studies in Education. He is presently the Tanis Doe Postdoctoral Fellow in Gender, Disability, and Social Justice at the School of Disability Studies at Ryerson University, where he is completing a book on the relationship between masculinity and the death instinct. He is also heading a SSHRC-funded speakers' series titled "Sex and the Pandemic: Convergences and Divergences in Queer Men's Sexual Health in the Midst of HIV/AIDS and COVID-19" which will run from May through to October of this year. Aside from his scholarly activities, he is also a psychotherapist in private practice and a candidate in the final stages of his training to become a psychoanalyst at the Toronto Institute of Psychoanalysis.
This presentation forms part of a larger book-length study on the relationship between masculinity, suicidality, and the death drive. This work is very much in its early stages and builds on earlier work that I have done with respect to HIV/AIDS, the practice of barebacking, and the question of risk. For this purpose, I will be returning to queer theory (by way of the work of Leo Bersani and Tim Dean) and psychoanalysis (by way of the work of Anne Dufourmantelle and Serge Leclaire) to develop a theory of death and dying as it makes sense to do so in the present socio-politcal and historical conjuncture.
Sara Matthews
February 25, 2021
The Cultural Life of Drones
Sara Matthews is Associate Professor in the Department of Global Studies at Wilfrid Laurier University. Her research and teaching are interdisciplinary and consider the dynamics of conflict and social change. Working primarily in the field of research-creation, her projects explore the relations between visual culture and martial politics as well as how communities craft creative modes of relationality and survival in response to practices of state securitization.
What does it mean to think of drones as culture? The term drone refers to a diverse range of systems--from palm-sized quadrotors to solar-powered aircraft that fly at 70,000 ft. for weeks at a time. But drone systems are not just technologies. They also animate particular ways of knowing and being known. These orientations are evident in everything from the practiced gestures of the workers who produce them to the algorithmic applications that interpret the patterns by which drones see and apprehend. By exploring the vocabularies and social practices associated with drone systems in the Kitchener-Waterloo region of southern Ontario, I trace how drone cultures express the intimate ties between everyday life and the military-industrial complex. To do this I discuss a recent exhibition that employs social documentary practice as a way of making evident the perceptual regimes that underlie drone vision, itself a form of ethnographic looking
Aaron Tucker
The Operative Moment of a Facial Recognition Technology: Data, Portrait, Moving Image
Aaron Tucker is currently a PhD candidate in the Cinema and Media Studies Department at York University where he is an Elia Scholar, a VISTA doctoral Scholar and a 2020 Joseph-Armand Bombardier doctoral fellow. He is currently studying the cinema of facial recognition software and its impacts on citizenship, mobility and crisis.
Facial recognition technologies' (FRTs) specific forms of biopolitical vision are dangerous due to the mechanisms of observation that lie at the centre of its operative moment. These multi-temporal combinations of storage, data transfer, and computation are present within other contemporary digital biometrics. But looking closer at FRTs in particular shows how the initial vision accomplished by the camera is complicated by, first, software aimed at face detection, then, second, the identification mechanisms that are augmented by AI and robust data practices. This layering of observation mediates the technology so that it can be operationalized as an effective tactic of governmentality and biopolitical management. Its deployment of biopolitical vision reduces those under its gaze to numerical and calculable materials which are more easily bureaucratically managed under the service of governmentality. Its alarming effectiveness is secured by its cooperation with other biopolitical visualities and the modes through which biopolitical reason is inscribed into the technology
Anne Pasek
Assistant Professor, Trent University
Climate Denial: A Cultural Studies Approach
Climate denialism is a difficult phenomenon to explain. Most studies of the topic emphasize the structural weight of funding from fossil capital, presuming in turn that skeptics and denialists have either been duped by bad ideology or otherwise lack the rational faculties to properly interpret environmental science. Cultural studies, by contrast, offers an opposite set of methods and politics for the study of interpretive communities, positioning audiences as active, evolving, and deeply social in their negotiations with discourses of both the powerful and the weak. This sensibility, however, is rarely extended to reactionary political subjects working to uphold existing social relations. This talk asks what gains might be made in such an attempt, focusing on how and why a particular section of the climate denialist community engages with the science and poetics of the carbon cycle to their own ends. Extending curiosity to the cultural worlds of our political opponents, it argues, helps suggest different modes of building more capacious political coalitions, while further underscoring the salience of feminist, queer, and critical race studies in the work of climate politics.
Steven Bailey
Associate Professor of Humanities at York University
Semio-Fantasy and Semio-Phobia: Placing Interpretation in Cultural Studies
Semio-Fantasy and Semio-Phobia: Placing Interpretation in Cultural Studies, Steve Bailey, York University In this highly speculative presentation, I examine the current state of interpretive practices, broadly construed, within cultural studies, and particularly contemporary media studies. In particular, I look at the twin poles of “semio-phobia” (a fear of meaning in favour of materialist, behaviourist, or holist tendencies) and “semio-fantasy” (a fantasy of transparent meaning) and the ways that they have come to dominate many discussions of the method within and beyond contemporary cultural studies. More provocatively, I will reflect on the intermingling of phobia and fantasy in a quest to find a place for interpretation that resists both poles and does so with a bit of “analytic nerve.”
Andrew Pendakis
Assistant Professor of Theory and Rhetoric, Brock University
Andrew Pendakis is an Assistant Professor of English at Brock University. His research takes as its focus the stories told by contemporary societies about their own political pasts and possibilities. Though his research is situated at the intersection of philosophy, critical theory, and discourse analysis, his origins methodologically lie in Hegel and in the line of thinking that passes through the proper names of Marx, Adorno, and Jameson. His salon seminar is drawn from a current writing project entitled "Living a Marxist Life." It is aimed at a wide audience extending beyond the academy.
2019 - 2020 Academic Year
Dorothea Hines
PhD candidate with the Cultural Studies
I have curated these words, further these concepts and references to form this salon seminar
To curate—verb—is most notably used in the Art History, Visual Studies, and Curatorial Studies disciplines, referring to acts of selection, organization, and maintenance of art objects by a curator—noun—of a collection. Curation (curators curating), or what David Balzer calls curationism, occurs in and through all aspects of daily life, meaning it has transcended the Art History, Visual Studies, and Curatorial Studies disciplines.
Given the transdisciplinary acts of curation that Balzer’s curationism suggests, what does it mean if anyone can call themselves a curator? What does it mean for objects (art or otherwise) if they are curated as opposed to say, assembled?
Presenting the following utterance as the focal point of this salon seminar, I have curated these words, further these concepts and references to form this salon seminar, I aim to trace the transdisciplinary connotations of curation through a deconstructionist frame. With particular attention to Jacques Derrida’s work on citation and iteration, I argue that the transdisciplinary use of curation carries significant implications, that is, the ability to create and enforce cultural values and authorities.
Tanya Bailey
PhD candidate with the Cultural Studies
Her Place: Behind the Camera and Steering Wheel
Meanings are formed by film, they do not simply reflect the ideas of society. Pre-World War I films such as An Auto Heroine (1908) often depicted female drivers as heroines and protagonist. While actresses on the silver screen were struggling to prove their abilities behind the wheel, female spectators at the cinema were fighting to prove they were capable of mastering the technicalities of voting. “The representation of gender by powerful social technologies such as cinema undoubtedly affects the way in which gender is internalized and constructed by individuals – but our individual self-representations of gender impact on the broader social construction of gender too (de Lauretis 1987: 9). Female capabilities with automobile technology was represented in film as an initial struggle followed by a mastering of skills equal or surpassing that of men. Not only were women in front of the camera, they were behind it as well, helping to shape the ideas a film would convey. However, after World War I, the role of women behind the camera and steering wheel changed and women found themselves being deterred from driving and making films by the pressures of a new patriarchal society. Representation of female drivers changed drastically in 1930s pre-code film and well into the mid-1960s. The woman driver of the silver screen was often depicted as someone who needed to pull over and let a man take over as seen in The Great Race (1965). This underlined the message that if women took a different route in life – one that did not center on marriage and motherhood, they were on the road to ruin. What occurred during World War I to bring about this shift? Was it the fear of death brought to a larger society by a protracted war; a change to technology by way of armouring the car and turning it into a weapon, thus changing ideas of whether women should operate motor vehicles? Or is the change to power relations that occurred as men returned from war to find women functioning in their jobs to blame? In the post-war films such as Female (1933) depicting a female automobile CEO “the movie heals the trauma by reassuring the average male subject that he is indispensable – no redundant, as feared – and adequate as paternal head of the family and leader of the community” (Silverman 2006: 113).
Dr. Lyn Goeringer
Assistant Professor of Composition, Michigan State University
Unseen and Otherworldly: Sounding out the Hidden World(s)
Lyn Goeringer’s research focuses on video/visual media and sound based interactive approaches to public space and site-specific art practices with a particular focus on the experience of the body in space. At the center of this research are questions about how we as individuals create and navigate space and the ways in which larger government infrastructures influence how we navigate public and private spheres. These questions drive her artistic practice and have led her to work within a variety of media, including video, body-centered cybernetic performance art that explores notions of privacy, wearable controllers, audio walks and public sound art. Her current body of work explores the mytho-poetic unseen, using histories of rebellion and magic to inform her practice. In addition to creative projects and video production, Goeringer’s writings focus primarily on the relationship of bodies under power and how bodies of power influence our daily lives. Currently, she is an assistant professor of composition at Michigan State University, where she teaches courses in electronic music, digitally mediated performance, improvisation and experimental film. She received her doctorate from Brown University in 2011, and a Master in Fine Arts from Bard College in 2005.
Dr. Lisa Guenther
Queen's University's National Scholar in Political Philosophy and Critical Prison Studies
On Dwelling in Fraught Places: Towards a Decolonial Abolitionist Ethics
All of Turtle Island is fraught terrain. The places where we live, work, study, and play are marked by settler colonialism, genocidal logics, and carceral structures designed to lock some people up and lock others into zones of privileged security. What would it mean to dwell ethically in such fraught places? And how might this ethics of dwelling support political movements for decolonization and prison abolition? This lecture reflects on the conditions for ethical dwelling in Kingston/Katarokwi: the site of Canada’s first penitentiary, prison farm, and federal prison for women—all constructed on the traditional territory of the Anishinaabe and Haudenosaunee peoples. The work of Leanne Simpson, Glen Coulthard, and Alexis Pauline Gumbs offers insight for creating, reclaiming, and amplifying ethical alternatives to carceral-colonial power.
Dr. Lisa Guenther, Queen's University's National Scholar in Political Philosophy and Critical Prison Studies will deliver the annual Elaine Stavro Distinguished Visiting Scholar in Theory, Politics & Gender Studies. She is the author of Solitary Confinement: Social Death and its Afterlives (2013) and The Gift of the Other: Levinas and the Politics of Reproduction (2007), and co-editor of Death and Other Penalties: Philosophy in a Time of Mass Incarceration (2015) with Geoffrey Adelsberg and Scott Zeman. Her interests include Political Philosophy, Critical Prison Studies, Continental Philosophy, Feminism, Philosophy of Race
Presented by The Annual Elaine Stavro Distinguished Visiting Scholar in Theory, Politics & Gender
Dr. Sylvie Bérard
Associate Professor, Trent University
The Fourth Dimension of Literary Fields, Or Why Writers Live in Parallel Worlds
Literary research tends to remain insular: scholars often adopt a writer, a national literature, a genre, a form, and they tend to remain within the generally prescribed limits of their object. This is true especially when it comes to the study of genre vs. mainstream literature, except that, in highbrow culture, they are called specialists when, in lowbrow culture, they are sometimes dismissively called fans. Science-fiction writers and “mainstream” Québécois writers, for instance, are usually not studied in the same essays, even when their authors’ works intersect in a number of ways. The literary universe is a hypercube where parallel fields (to use Bourdieu’s concept), well, remain parallel worlds (to use a science fiction trope) that seldom meet. For example, Québec writers Élisabeth Vonarburg and Michel Tremblay may share an analogous approach to literary world building, and a similar way of drawing from historical and autobiographical sources, but because Vonarburg is known for her science fiction and fantasy while Tremblay is famous for his social plays and novels, they don’t usually find their works analyzed in the same books, courses, conferences. First, this talk will uncover some of the unexpected similarities between the two authors and focuses on Vonarburg’s works that clearly reference Québec and Tremblay’s texts with fantastic content. Second, it will offer a reflection on the effect of insularity of literary research and on the advantages of creating a dialogue between fields.
2018 - 2019 Academic Year
Jessica Becking
The Ecology of Language and the Language of Place: Language as Environmental Response in the Era of the Anthropocene
As humans, language is one of the most precious things we have. Language holds inside of itself all the things we hold dearest: memory, emotion, perception, experience, communication – life. Having the capacity for language is also what marks us out as unique, special, separate – exceptional, and it can serve to perpetuate the belief that we live outside of our environment: an audience member and not a player. This belief renders our attempts at conservation problematic. Conservation requires a protocol of action (or inaction) in relation to the world around us and, simply by virtue of our thinking that we can enact some kind of preservation of the natural world, automatically positions us as existing outside of, and exceptional to, our ecosystem.
In the era of the Anthropocene, language, particularly language for the land, is rapidly disappearing. Language also, arguably, comes to establish itself as an essential environmental response. As our least invasive means of conservation, language allows us to protect the land and nature, through our awareness of its existence, its biodiversity, the ways in which it changes over time and it furnishes us with the ability to share our experiences with others. This can only be achieved through the active use of language and naming and the pursuance of an active and persistent experiential engagement with the natural world around us. In this way, we will begin to see our place, our right here. As we adopt a parochial approach, and attune ourselves to the local distinctiveness, we will rediscover our place and our own place within it.
What is an appropriate response to the land in the face of the all-consuming Anthropocene? This seminar will attempt to provide a response.
Kelly Egan
Assistant Professor
How To Write a Successful Eulogy, Or, Re-Imagining Film After Its Death
The “death of film” has been a trope in recent scholarship in the field of film studies. This trope has flirted with apocalyptic rhetoric—like all other “death of…” media discourses (i.e., the death of the book, the death of television, the death of industrial/manual labour in developed nations)—pronouncing with nostalgia and sentimentality the collapse of “the world as we know it.” Within this rhetoric, the discourse of authenticity is often used to reify and edify the past, suggesting that there is something more “real” and “authentic” in that which has been “lost,” suggesting that celluloid-based cinema produces an inherently “true experience” that digital media is incapable of reproducing. While the language of this transition may seem extremist, there is no doubt that the shift from the celluloid-based filmic experience to digital cinema will have repercussions, specifically insofar as the modes of producing, recollecting and perceiving cinematic space through each medium differs based on the respective materiality they engender. Rather than focusing on the negative, polarizing and extremist rhetoric, this seminar will instead consider the material possibilities of analogue film after its commercial obsolescence. What can be found, freed or reimagined once a technology has been declared dead? Throughout this seminar, we will pursue this question by looking at my own body of work, as an artist who emerged only after film was already “dead.”
Ewa Plonowska Ziarek
Julian Park Professor of Comparative Literature at The State University of New York at Buffalo
The Promise of Democratic Politics in Laclau’s Populism and Arendt’s Political Action
Brent Bellamy
Assistant Professor (LTA)
Materialism and the Critique of Energy
This seminar focuses on reading science fiction insofar as it pertains to ecology and environment. Beginning with the science-fictional process of world building, the seminar will investigate the contested narratives that surround human use and abuse of technology. It will look to marginalized voices in science-fiction writing and subgenres of science fiction itself. This exploration of the Anthropocene, ecology, and energy will take up science fiction’s capacity to imagine massive interrelated systems, to depict incredible timescales, and to comment on the politics of the human impacts on such systems and across such durations. This talk will feature classic science-fiction texts and emergent works.
Liam Mitchell
Associate Professor, Chair of the Department of Cultural Studies and the Coordinator of the Media Studies program
Ludopolitics: Videogames against Control
What can videogames tell us about the politics of contemporary technoculture, and how are designers and players responding to its impositions? To what extent do the technical and aesthetic features of videogames index our assumptions about the world and the social configuration they entail? And how can we use games to identify and shift those assumptions and configurations? In this talk, I respond to these questions by presenting some of the central arguments of my book, Ludopolitics: Videogames against Control – that videogames promise players the opportunity to map and master worlds; that they offer closed systems that are perfect and perfectible, in principle if not in practice; and that although they provide players with a means of escape from a world that can be unpredictable and unjust, they aren’t only escapism. Designers and players alike routinely engage in immanent, experimental, and effective critiques of the fantasy of control, and in this talk, I present a few of their playful results.
Michael Morse
Music Director, Traill College
Musical Discourse and the History of Ideas
With the rise of the notion of discourse, the history of ideas has gained a new means to formulate its questions. Like “paradigm,” “discourse” is a model that inherently conceives the order of things in equally particular and connected ways, historically. Unlike events, things, or people, ideas cannot be understood in isolation, nor studied in this way without serious distortions. Save alas for some fashionable, superficial, and pointlessly literal invocations of Michel Foucault, however, the discursive conception has yet to find its way into the consideration of non-verbal discourses, such as visual art and music; equally important, the intelligences of these discursive forms have yet to inform the history of ideas. The present essay argues for the discursive particularity of musical ideas, and its potential contributions to intellectual history.
Samples of Michael’s music can be heard at https://soundcloud.com/michael-morse-4
Katrina Keefer
Adjunct Professor, Trent University
Reconstructing Links from within Shackles: Using Scarification and Tattoo to Uncover Origins in the Trans-Atlantic Slave Trade
Spanning centuries, the trans-Atlantic slave trade forcibly exported 12.5 million Africans who were loaded aboard vessels bound for the Americas and for Europe. These men, women and children were renamed, separated from one another, and dispersed through a variety of plantation societies. A symbol of African origins which lingered upon faces and bodies was permanent body marking; never imported as a tradition into the Americas, the patterns which were applied by communities upon individuals held complex and nuanced meanings. Identities, origins, kin groups and personal achievements were all represented by varying patterns among various peoples. By using these marks, which were often described in the Americas as ‘country marks’ upon African-born slaves, modern scholars can begin to trace regional origins inscribed upon those who survived the Middle Passage. Major digital initiatives concerning enslaved origins analyze the recorded African names of slaves in the documents which preserve them, but these projects must contend with a variety of methodological issues in their ethnolinguistic approach. This paper describes and considers a complementary approach to identity which relies upon the identification of scarification and tattoos upon faces and bodies. Manumission records, ethnographic accounts, and runaway ads provide rich and often carefully drawn evidence of specific patterns which can be cross-referenced against a catalogue of known patterns. While this latter database is in its early stages, the approach is one which holds rich potential. Identities etched into the skin may prove the most precise record of men, women and children whose historical record was often obscured.
Joe Yang
Cultural Studies PhD Student
The Endless Everyday: How people fight and nourish apocalyptic thought
On July 6 2018 the former leader of doomsday cult Aum Shinrikyo was executed by hanging. Aum Shinrikyo was responsible for releasing impure sarin gas on the Tokyo subway, leading to the deaths of 13 individuals and over a thousand injuries. As a response to the incident, sociologist Shinji Miyadai wrote the book Owarinaki Nichijo o ikiro! Oum kanzen kokufuku manyuaru (translated as “Living an endless everyday! A manual on how to defeat Aum”), where Shinji discusses the concept of everydayness. In this talk, I want to discuss how apocalypticism depends on a particular sense of everydayness. Drawing off the work of Frank Kermode, Ian Reader, and Benjamin Zeller, I look at how doomsday cults like Aum Shinrikyo and Heaven’s Gate understood the everyday and how they actively incorporated everydayness to legitimize group catastrophization. I also look at how everydayness as both a quasi-practice and an idea persists outside of organized doomsday cults, mainly in popular media. Specifically, I look at the Fukushima-Daiichi disaster, arguing that everydayness is not unique to cults, but rather is ingrained in general apocalyptic thought.
Hanjo Berressem
University of Cologne
Economies of Greed in Late Pynchon: America and the Logic of Capital
This talk reads Pynchon’s late work Bleeding Edge as a dark allegory of the logic of infinite greed and entitlement that pervades 20th century America. In the light of Pynchon’s allegorical anger about how America has dealt with 9/11, this talk revisits the early assessment of Pynchon’s works as Jeremiads.
Nadine Boljkovac
Falmouth University
[Non]Style is Feeling: Direct Tenderness from Sirk and Fassbinder to Haynes
Style, or nonstyle as Gilles Deleuze suggests, exposes the foreign within the familiar. Douglas Sirk, Rainer Werner Fassbinder and Todd Haynes reveal characters-cum-prisoners trapped within ‘normativity.’ At the same time, their films envision alternative trajectories for the women effecting lasting reverberations, a feelingof events for the characters and us.
2017-18 Academic Year
Victoria de Zwaan
Professor, Cultural Studies Trent University
March 22, 2018, 7:30PM
Snow White-ness: Fairy-Tales, Adaptation, Metafiction
Liam Young
Faculty, School of Journalism & Communication, Carleton University
March 15, 2018, 7:30PM
On Lists, Salt, Beavers and the Pursuit of Paradigms in Media Theory
Rosemary Hennessy
L.H. Favrot Professor of Humanities and professor of English, Rice University, Houston, Texas
February 8, 2018, 7:30PM
Intimate Environments: Considering the Muriel Rukeyser Archive
Presented by The Annual Elaine Stavro Distinguished Visiting Scholar in Theory, Politics & Gender
Suzanne Bailey
Professor, English, Director, M.A. English Literature (Public Texts)
January 18, 2018, 7:30PM
From 'Beer Street' to the 'Apocalypse': Intaglio Printmaking as New (Old) Media
Dr. David Fancy
Associate professor of the Department of Dramatic Arts at Brock University
November 23, 2017, 7:30PM
‘I Scream the Body Electric’: Performance, Zombies, and Emergent Societies of Entrainment
Brent Ryan Bellamy
Canada Research Chair Postdoctoral Fellow in Cultural Studies at the University of Alberta
October 19, 2017, 7:30PM
The Post-Apocalyptic Mode in the Age of US Decline
James Penney
Department of Cultural Studies and Department of French and Francophone Studies
October 5, 2017, 7:30PM
Strangers on a Train: Genet and the Liquidity of Being
2016-17 Academic Year
Diane Coole
Professor of Political and Social Theory, Birkbeck University of London
November 17, 2016
Dirt: A New Materialist Approach
Presented by The Annual Elaine Stavro Distinguished Visiting Scholar in Theory, Politics & Gender
2014-15 Academic Year
International Conference on Critical Topography
Investigations of Landscapes
Critical Topography Research Group Trent University and Documentary Media Research Centre Ryerson University
May 20 - 22, 2015
Jonathan Bordo
Director, Cultural Studies Doctoral Program at Trent University
“Cezanne in the Mystic North (Thoughts on Imitation Today)”
Thursday, April 16, 2015, 7PM at the Peterborough Art Gallery
David Holdsworth
Director, MA Program in Theory, Culture and Politics at Trent University
“Matheme and Poem: Mediations between Badiou and Deleuze”
Monday, April 6, 2015, 10AM
Dr. Golfo Maggini
School of Philosophy
University of Ioannina, Greece
Tuesday, March 24, 2015, 5:00 p.m.
"The Phenomenology of Politics"
Sponsored by Theory, Culture and Politics, the Philosophy Department and University Seminars Program of the Onassis Foundation (USA)
Blake Fitzpatrick
Professor of Documentary Media
Ryerson University
"Freedom Rocks: the wall as image, art, paint and dust " A Visual Lecture
Thursday, March 19, 2015, 7:30PM
Jonathan Crago
Editor-in-chief McGill-Queen's University Press
Academic Publishing in a Digital Environment
Thursday, March 5, 2015, 2:00 p.m.
Dr. Margrit Shildrick
Linkoeping University, Sweden
Thursday, February 12, 7:30 pm
'Why should our Bodies end at the Skin?: Technologies, Boundaries and Embodiment
presented by the Cultural Studies Ph.D. Program and the Centre for Theory, Culture and Politics.
Dr. Ramin Jahanbegloo
Public Talk and Book Launch
Cultural Studies Doctoral Program with University of Regina Press
October 02, 2014 : 7:30 PM - 9:30 PM
Laura Thursby
Doctoral Candidate, Cultural Studies Program, Trent
Thursday, September 18, 2014
"Ethnic and Extraterrestrial Invaders"
Dr. Konstantin Butz
Academy of Media Arts, Cologne.
Tuesday, Sept 9, 2014
"Safety Pins and Swimming Pools: Skateboarding and Punkrock in 1980s California"
2013-14 Academic Year
Hanjo Berressem
March 13, 2014
Professor of American Studies
University of Cologne
"Lightning and Philosophy"
Jacques Rancière
September 30, 2013
Stavro Speaker (Market Hall)
Professor emeritus at the Université de Paris (St Denis) and faculty member at the European Graduate School
"The Politics of Fiction"
2012-13 Academic Year
Scott Henderson
February 28, 2013
Communication and Media Studies, Brock University
"Neo-Liberalist Subjectivity: Immediacy and Identity in the Digital Age"
Marc Shell
Irving Babbitt Professor of Comparative Literature and Professor of English and American Literature and Language
Harvard University
"Hamlet’s Globe"
Thursday, January 24, 2013, 7:30 p.m.
Shannon Winnubst
November 29, 2012
Women’s, Gender & Sexuality Studies, Ohio State University
"Politics or Ethics? Reconsidering Queer Critiques of Normativity in Neoliberalism"
(A Politically Queer/Queerly Political Event)
Juliet Steyn
November 1, 2012
School of Arts, City University, London UK
"The Experience of Art in the Age of the Service Economy"
Emily Beausoleil
October 11, 2012
Post Doctoral Fellow, Cultural Studies, Trent University
'Identity, Agency, and the Dancing Body Politic"
Phillippa Levine
September 27, 2012
Department of History, University of Texas at Austin
Stavro Speaker (Market Hall)
Jodi Dean
Professor of Political Science Hobart and William Smith Colleges
"The Communist Horizon"
Thursday, September 20, 2012, 7:30PM
Speakers Series 2011-2012
David Pettigrew
Philosophy Department Southern Connecticut State University
"The Geography of Genocide in Eastern Bosnia"
Thursday, March 29, 2012, 7:30 p.m.
Randy Innes
Post Doctoral Fellow
“The Rhythm of the Image: Time, the Artwork and Visual Culture”
Thursday, March 8, 2012, 7:30 p.m. Scott House 105
Ian Balfour
March 1, 2012
Department of English, York University
"The Sublime Is Now (And Again): Theory, History, Examples"
Davide Panagia
Canada Research Chair, Professor of Cultural Studies, Trent University
"10 Theses for an Aesthetics of Politics"
Thursday, February 9, 2012, 7:30 p.m.
Courtney Berger
(Duke Univ. Press)
Professional Workshop
Wednesday February 1, 2012
CUST 6200 (all welcome)
6:00 p.m. Scott House 105
Alan Shapiro
January 26, 2012
Independent scholar based in Frankfurt am Main, Germany
"Media theory: beyond the dualities of form and content, critical and enthusiastic, real and fake"
Caroline Langill
Associate Dean, Faculty of Art
December 1 , 2011
Ontario College of Art and Design
"The Living Effect: Interrogating "aliveness" in historical and contemporary art "
Christopher Smith
Postdoctoral Fellow Department of Anthropology, University of Pennsylvania
"The Intoxication of Narcotic Modernity: Addiction, The Body, and The City"
Thursday, November 24, 2011 7:30 p.m. Scott House 105
W. J. T. Mitchell
Professor of English and Art History University of Chicago
"Seeing Madness: Insanity, Media, and Visual Culture"
Thursday, November 17, 2011 7:30 p.m.
Mikko Tuhkanen
Professor of English
November 3, 2011
Texas A&M University
"The Essentialist Villain: On Leo Bersani"
A Politically Queer/Queerly Political Event
Eric Cazdyn
Centre for Comparative Literature and the Department of East Asian Studies
University of Toronto
October 6, 2011
"Crisis, Disaster, Revolution: Re-Theorizing and Re-Politicizing the Image."
Speakers Series 2010-2011
March 24, 2011
Emilia Angelova
Department of Philosophy, Trent University
"Signifying Negativity: Kristeva on Poetic Language and the Subject-in-process"
March 3, 2011
Barbara Havercroft
Department of French, University of Toronto
"Unspeakable" Wounds: Personal Trauma in Contemporary Women's Autobiographical Writings"
David Lubin
Frederick Haas Professor of Law and Philosophy, Georgetown University Law Center
"Amnesty, Amnesia, and Lae: A Reading of Dorfman's Death and the Maiden"
Thursday, January 20, 2011, 7:30 p.m.
Dorothea Olkowski
December 2, 2010, 7:30 p.m.
Dorothea Olkowski, "Gilles Deleuze's "Wrenching Duality": From Kantian Aesthetics to the Paintings of Francis Bacon
November 25, 2010
Steven Shaviro, DeRoy Professor of English
Wayne State University
"Even now, I'm not ashamed of my communist past": Some Revisionary Thoughts on Eastern European Film"
Jason Lafountain
Harvard Art History ABD
will visit CUST 6200 and Professor Bordo's thesis writing group.
November 24, 2010 at 3:00 P.M.
Baudelaire Live!
Thursday 11 Nov 2010, 9pm at the Trend
An open mic for performances from the work of the French poet. In French, in translation, with music. With a performance by Credo 4 and music by DJ Fever. Bohemian dress encouraged.
Sponsored by Trail College, the Graduate Students' Association and PhD Program in Cultural Studies.
October 21, 2010
Brian Massumi
Communication, Université de Montréal
"Politics Strikes: Decision's Creative Undoing"
A Politically Queer/Queerly Political Event
George Marcus
University of California, Irvine
"What Did Cultural Studies Do To Anthropological Ethnography? From Baroque Textual Aesthetics Back to The Design of the Scenes of Inquiry"
Thursday, October 14, 2010, 7:30 p.m.
Speakers Series 2009-2010
Timothy Murray
Director, Society for the Humanities, and Curator, Rose Goldsen Archive of New Media Art, Cornell University.
"Immaterial Archives @ New Media Art”
Thursday, March 11, 2010, 7:30 p.m.
March 4, 2010
Frances Restuccia
English, Boston College
A Politically Queer/Queerly Political Event
Tanya Richardson
Assistant Professor, Anthropology Wilfrid Laurier University
“Objectifying Odessa.”
(Co-sponsored by the Theory, Culture and Politics Centre)
Thursday, February 4, 2010, 7:30 p.m.
Brian Rotman
Professor, Dept. of Comparative Studies Ohio State University
"Becoming Beside Ourselves: The Alphabet, Ghosts, and Distributed Human Being"
Thursday, January 28, 2010, 7:30 p.m.
November 26, 2009
Ellen Waterman
Fine Arts and Music, Guelph University
"Naked Intimacy: Improvisation, Eroticism, and Gender"
Presentations take place on Thursday evenings at 7:30 pm Traill College - Scott House 105
Alison Hearn
Associate Professor, Faculty of Information and Media Studies, University of Western Ontario
"Self, commodity, promotion and politics: reality television, web 2.0 and the 'new' economy."
(Co-sponsored by the Theory, Culture and Politics Centre)
Thursday, November 12, 2009, 7:30 p.m. Scott House 105
Agnes Heller
Hannah Arendt Professor of Philosophy in the Graduate Faculty of the New School for Social Research in New York. Also Professor, ELTE.
“Autonomy of Art or the Dignity of the Work of Art.”
Friday, November 6, 2009, 12:30 p.m.
October 15, 2009
Peter Van Wyck
Communication, Concordia University
"At work on the Highway of the Atom"
A Critical Topographies Event
Speakers Series 2008-2009
October 16, 2008
Hans-Georg Moeller
Department of Philosophy, Brock University
"From Necessity to Contingency: Niklas Luhmann's Carnivalization of Philosophy"
November 6, 2008
Jasbir Puar
Department of Women's and Gender Studies, and graduate faculty in the Department of Geography, Rutgers University
"Prognosis Time: Pathologies of Terror"
(The Politically Queer/Queerly Political Series)
Novmeber 20, 2008
Feyzi Baban
Department of Politics, Trent University
"Multiple Modernities and the Headscarf Affair in Turkey and France"
January 15, 2009
Charles Shepherdson
Department of English, SUNY Albany
"Rethinking Pity and Fear in Tragic Catharsis: The Place of Emotion between Ethics and Esthetics "
February 12, 2009
Linda Hutcheon and Michael Hutcheon
University of Toronto
"Benjamin Britten's Late Style"
March 5, 2009
Catriona Mortimer-Sandilands
CRC in Culture and Sustainability
Faculty of Environmental Studies, York University
"Acts of Nature: Literature and the Green Public Sphere"
March 12, 2009
Neville Hoad
Department of English Studies, Center for Asian American Studies, Center for Women's and Gender Studies, University of Texas at Austin
"Transnational Sexuality Studies Then and Now"
(The Politically Queer/Queerly Political Series)
Speakers Series 2007-2008
October 11, 2007
John Drabinski
Department of Philosophy, Hampshire College
"Godard's Cinematic Empiricism"
Monday, October 15, 2007
Marc Shell
Irving Babbitt Professor of Comparative Literature and Professor of English, Harvard University
"Talking the Walk and Walking the Talk: Moses and Marilyn Monroe"
Co-sponsored by TCP and the Frost Centre for Canadian Studies and Native Studies
November 5-8, 2007
Nancy Fraser
Departments of Philosophy and Politics, New School for Social Research
The Ryle Lectures, sponsored by the Department of Philosophy
Novmeber 15, 2007
Michael Lucey
Departments of French and Comparative Literature, University of California, Berkeley
"Simone de Beauvoir and Sexuality in the Third Person"
Politically Queer/Queerly Political
November 29, 2007
Ihor Junyk
Cultural Studies Program, Trent University
"Erroneous Representations": Trauma, Nostalgia, and Identity in Post-Soviet Ukraine
January 24, 2008
Erin Manning
Mel Hoppenheim School of Cinema and Studio Arts, Concordia University
"Constituting Facts - or, Dorothy Napangardi Dances the Dreaming"
February 28, 2008
Charmaine Eddy
Department of English, Trent University
"Coetzee and the Scene of Writing: The Psycho-Landscape of Race in Disgrace"
Speakers Series 2006-2007
September 14, 2006
Kenneth Reinhard
English and Comparative Literature, University of California, Los Angeles
“Political Theology and Love: Paul, Lacan, Badiou”
Co-sponsored by TCP, the Cultural Studies Program and the Department of Philosophy
October 5, 2006
Gary Genosko
Canada Research Chair in Technoculture Studies, Lakehead University
“Canadian Cultural Theory since the 70s -- Editorial Assemblages and Splinter Groups”
Co-sponsored by TCP and the Cultural Studies Program
(Cultural Studies in Canada Speakers’ Series)
October 19, 2006
Frances Ferguson
Department of English, Johns Hopkins University
“Education and Liberalism: What Children Taught Political Philosophy.”
November 9, 2006
Andra McCartney
Communication Studies, Concordia University
"In and Out of the Sound Studio: gender and sound technologies in Canada"
Co-sponsored by TCP and the Frost Centre for Canadian Studies and Native Studies
November 23, 2006
David Holdsworth
Environmental Studies, Trent University
“(Inter)disciplinary Practice at the End of Modernity: Reading Heidegger through the Italian Post-structuralists”
January 25, 2007
Imre Szeman
Globalization and Cultural Studies, McMaster University
(Cultural Studies in Canada Speakers’ Series)
February 8, 2007
Jodi Dean
Political Science, Hobart and William Smith Colleges
"Popular Credibility: 9/11 Conspiracy Theories and Certain Knowledge"
March 1, 2007
Douglas Torgerson
Cultural Studies Program, Trent University
“Misdirection in the Mystery: The Case of Chandler’s Hammett”
March 15, 2007
Richard Fung
Faculty of Art, Ontario College of Art and Design
"Continental Drift: The Imaging of AIDS"
(The Politically Queer/Queerly Political Series)
March 22, 2007
Arthur Kroker, CRC in Technology, Culture & Theory
University of Victoria
"Born Again Ideology"
(Cultural Studies in Canada Speakers’ Series)
March 26-29, 2007 - The Ryle Lectures
Simon Blackburn, Professor of Philosophy at the University of Cambridge and Fellow of Trinity College, Cambridge
“Pragmatism, Minimalism, and Common-Sense”
Speakers Series 2005-2006
October 13, 2005
Tim Dean , Literary & Cultural Theory, SUNY Buffalo
"Breeding Culture: Barebacking, Bugchasing, Gift-giving"
(The Politically Queer/Queerly Political Series)
November 3, 2005
Evelyn Fox Keller, Program in Science, Technology and Society,
Massachusetts Institute of Technology
"Evolving Function, Purpose, and Agency"
This is the last of four talks presented by Professor Keller as part of this year's Ryle Lectures.
Lady Eaton College Lecture Hall (ECC 201) 8:00 p.m.
December 1 , 2005
Bonnie Honig, Department of Political Science, Northwestern University
"The Time of Rights: Emergent Thoughts in an Emergency Setting"
January 26, 2006
James Penney, Cultural Studies Program, Trent University
"Loving the 'terrorist': Genet among the Palestinians"
February 9, 2006
Chris Hables Gray, Interdisciplinary Studies, Graduate College ,
The Union Institute and University; Interdisciplinary Studies, Goddard College
"Information, Culture, Politics"
March 2, 2006
Morton Schoolman, Department of Political Science, SUNY Albany
"Another Enlightenment? Rethinking Mass Culture"
March 9, 2006
Elizabeth Harvey, Department of English, University of Toronto
"Of Sex and Souls"
(The Politically Queer/Queerly Political Series)
Speakers Series 2004-2005
September 16, 2004
Paul Jones, University of New South Wales, Australia
“Raymond Williams’ Last Keyword: ‘Modern’”
September 30, 2004
Richard Rambuss, Emory Emory
“The Passion of the Magdalene”
November 3, 2004
Andrew Jamison
“The Making of Green Knowledge”
November 4, 2004
Susan Fast, School of Art, Drama and Music, McMaster University
Ellen Waterman, School of Fine Art and Music, University of Guelph
Veronica Hollinger, Department of Cultural Studies, Trent University
"Performance Anxiety"
November 25, 2004
Catriona Sandilands, Canada Research Chair, Faculty of Environmental Studies, York University
“Where the mountain men meet the Lesbian rangers: Gender, nation and nature in Canada’s Rocky Mountain parks”
January 13, 2005
Film: Tommy: A Family Portrait and Panel Discussion
Joint Session with Frost Centre
March 3, 2005
Jodie Medd, Carleton University
“Queer (Modernist) Temporalities”
Speakers Series 2003-2004
September 18, 2003
Jocelyn Létourneau, Départment d’histoire et CELAT, Université Laval
“Remembering the Past: An Examination of Young Québecois’ History Memory”
October 30, 2003
Davide Panagia, Centre for Reformation and Renaissance Studies, Victoria University in the University of Toronto
“The Beautiful and the Sublime in Contemporary Political Argument”
November 13, 2003
Rebecca Kukla, Department of Philosophy, Georgetown and Johns Hopkins (on leave from Carleton)
“Mass Hysteria: The Uterus as Public Theatre”
November 20, 2003
Terry Goldie, Department of English, York University
"The Queer Zeitgeist and the Canadian Experience".
January 15, 2004
Zsuzsa Baross, Cultural Studies Program, Trent University
“’Remember to remember the future’…”
February 26, 2004
Andrew Wernick, Cultural Studies Program, Trent University
"Is Nothing Sacred? Reflections on a Berlin Monument”
March 4, 2004
David Holdsworth, ERS, Trent University
“Ideology, Discursive Formation, and the 'Science Problem' in Post-Marxist Thought”
March 15-18 - The Ryle Lectures
Iris Marion Young, University of Chicago, Ryle Lecturer
“Political Responsibility and Structural Injustice”
Speakers Series 2002-2003
September 27, 2002
W.J.T. (Tom) Mitchell, English and Art History, University of Chicago
'Country Matters: How Landscapes Talk Back'
Speaker in "Critical Topographies"
November 21, 2002
Keith Nurse, University of the West Indies
'Globalization, Carnival and the Black Atlantic'
Speaker in Crossing Borders Project
January 16, 2003
Danielle Egan, Department of Sociology, St. Lawrence University
'Irigaray Makes Me Sex: Nude Female Bodies and Suburban Mimesis'
Speaker in Crossing Borders Project
February 6, 2003
Margaret Olin,
'Touching Photographs'
Speaker in "Critical Topographies"
Speakers Series 2001-2002
October 18, 2001
Peter Schwenger, English, Mount St.Vincent's University
The Dream Narratives of Debris
November 8, 2001
Michael Dorland, Journalism, Carleton University
'Cherchez le juif': French Antisemitism, the Shoah, and French Psychoanalysis
January 24, 2002
Nicola Nixon, Concordia University and Harvard University
"Between Money and Meaning in Poe's 'The Purloined Letter'"
March 14, 2002
Anne Cvetkovich, Department of English, University of Texas
"Remembering AIDS Activism: Mourning and Militancy Revisited"
(part of the Politically Queer/Queerly Political series)
Speakers Series 2000-2001
September 28, 2000
Michael Titlestad, English and African Studies, University of South Africa (Pretoria)
“Contesting Maps: Musical Improvisation and Narrative”
PRC Lecture Hall 7:30 p.m.
October 5, 2000
Mark Jordan, Religious Studies, Emory University
“The Subculture Wars: Notes on the Wish for ‘Gay History’”
(Part of the Politically Queer/Queerly Political Series)
PRC Lecture Hall 7:30 p.m.
November 6, 2000
Mitchell Morris, Department of Musicology, UCLA
“Black masculinity and the sound of wealth: Barry White, the early 70s and the rise of disco”
PRC Lecture Hall 7:30 p.m.
November 23, 2000
Zsuzsa Baross, Cultural Studies, Trent University
“The Image as Witness, according to Godard”
PRC Lecture Hall 7:30 p.m.
November 30, 2000
Mark Kingwell, Department of Philosophy, University of Toronto
“Tables, Chairs, and Other Machines for Thinking”
PRC Lecture Hall 7:30 p.m.
January 11, 2001
Derrick de Kerckhove, McLuhan Program, University of Toronto
“Literacy and Cognigion in Networks”
PRC Lecture Hall 7:30 p.m.
February 13, 2001
Elaine Stavro, Political Studies, Trent University
'Communitarian Discourse and New Labour: Privileging the Nuclear Family'
PRC Lecture Hall 7:30 p.m.
March 7, 2001
Special Seminar with Gerald A. Cohen, Ryle Lecturer
Chichele Professor of Social and Political Theory, Oxford University
“Why Not Socialism?”
PRC Senior Common Room
March 8, 2001
Elizabeth Povinelli, Department of Anthropology, University of Chicago
“The Subject of Risk: The Social Orderings of Sexuality and Psychoanalysis”
Part of the Politically Queer/Queerly Political Series
PRC Lecture Hall 7:30 p.m.
Speakers Series 1999-2000
Thursday, September 30, 1999
Vicki Patraka
(Director, Institute for the Study of Culture and Society, Bowling Green State University)
"Spectacular Suffering: Performing Presence, Absence and Witness at U.S. Holocaust Museums"
PRC Lecture Hall 7:30 p.m.
Thursday, October 14, 1999
Kathryn Bond Stockton
(Director of Graduate Studies in English at the University of Utah in Salt Lake City)
"Cloth Wounds: Saint Genet Among the Lesbians"
This lecture is part of the "Politically Queer/Queerly Political" series
PRC Lecture Hall 7:30 p.m.
Wednesday, October 20, 1999
Mark Cheetham, Visual Arts, University of Western Ontario
"Plasmatics: Kant's 'Roman Period' and the Politics of Reception"
PRC Dining Hall 8:00 p.m.
Thursday, October 21, 1999
Robert Latham, English, University of Iowa
"The Cybernetic Vampire of Consumer Youth Culture"
PRC Lecture Hall, 7:30 p.m.
Thursday, November 18, 1999
Gad Horowitz, Political Science, University of Toronto
"Techniques of the Self -- With a Look Back at the General Semantics Movement"
PRC Lecture Hall, 7:30 p.m.
Thursday, November 25, 1999
Phillip Blond, Religious Studies, University of Exeter
"Thomas Aquinas' Refutation of Nominalism (or, Why only Theologians Care about Appearances)"
Thursday, January 27, 2000
Shannon Bell, Political Science, York University
"Speed Politics: Fast Feminism"
Thursday, March 9, 2000
James Ellis, English, University of Calgary
"The Erotics of Citizenship: Derek Jarman's Jubilee and Isaac Julien's Young Soul Rebels"
Friday, March 31, 2000 - 11:00 a.m.
Rebecca Comay, Professor of Philosophy and Literary Studies, University of Toronto
"Between Melancholia and Fetishism: Benjamin's Losses"
co-sponsored by the Philosophy Department
Speakers Series 1998-1999
Thursday, September 24, 1998
Ann Kaplan (The Humanities Institute, SUNY, Stony Brook)
"Postmodernism, Imaging and the Millennium: From the Psychic and Political Crisis of Representation to the Crisis of Reproduction"
Thursday, October 15, 1998
Gerard Delanty (Sociology, University of Liverpool)
"Theorising Modernity"
Thursday, November 5, 1998
Teresa Mangum (English, University of Iowa)
"Old Bats; or, The Vampire, Degeneration, and Senescence"
Thursday, November 19, 1998
Zsuzsa Baross (Cultural Studies, Trent University)
"Deconstruction and Responsibility, after 'Bosnia'"
December 3, 1998
Peter Kulchyski (Native Studies, Trent University)
"Feminist Machiavelli reads Livy: Spectres of Lucretia"
January 14, 1999
David Holdsworth (Environmental Resource Studies, Trent University)
"Naturalized Epistemology and Political Reason"
January 28, 1999
Doug Torgerson (Politics, Trent University)
"The three faces of politics: thinking with and against Arendt"
February 1 - 4, 1999 - Ryle Lecture Series
Paul Churchland (University of California, San Diego)
March 4, 1999
Mark Cheetham (University of Western Ontario, Visual Arts)
"Plasmatics: Kant's 'Roman Period' and the Politics of Reception"