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Thephrase"_Tal_Ԁthetemofthe_tumulum_"(56.34)containsthetaleofTM,theoldgodwho,in_FW_Ԁisatypeof_HCE_;herehefallsintoatomb,atumulus.Additionally,Mr.Athertonhasrightlyobserved(Books,p.133)thattheword"_tumulum_"containsaclearreferencetotheprimalmudheapuponwhichTMasthecreatorgod,aftermasturbatingintohismouth,spatoutthefirstbeings.Thus,the"_tumulum_"isboththemoundofcreation,andthetumulustombofburial.Thetwomeaningsareinclusiveandsimultaneous:thewakeddeadinthemoundcarryingthepotentialofnew,firstlife.CE.,UK.,UKCE.,1CE.,UK.,(UKCE.,    Fromthetumulusevolvedtheoblongbrickmastabatomb.WehaveseenthatTim_Finnegan_,asanunorthodox,"Lordoftheladder"fellintosuchatombat6.09:"_Dimb_!He_stottered_Ԁfromthelatter._Damb_!hewasdud.Dumb!_Mastabatoom_,_mastabadtomm_."Thisfallisnotfinal,for,asweshallseelater,itcontains_Bataou_,atitleofOsirisasthe"soulofthebread",whichcarriestheimageofthe"germinating"god(see"GrainOsiris",below).ThecharacteristichissofvillainousSetservestolinkamastabatombtothemythofOsirisat493.23;"_massstab_"containsaserpent's"_sss_",amastabaandalsoaconspirators'"massstab"whichplacestheEgyptiangodkinginthatlineofbetrayedleaderswhichincludesCaesar.Aswehaveseen,however,Osirisisneverdownforlong.Thisreferencetoamastabaandmurderedleaderisfollowedbythecry"_Irise_,_Osirises_!Bethymouthgivenuntothee!"(493.28).  CE.,UK.,[UKCE.,1CE.,UK., UKCE.,ԀItisnoteworthyhowmanyofthereferenceswhichinvolvethiscyclicimage !l" linkTMtoLewisCarroll:"asacreatorCE.,UK., UKCE.,"CE.,UK., UKCE.,andtherefore,fromJoyceCE.,UK., UKCE.,CE.,UK.,UKCE.,s_axiom,a_typeofGodCE.,UK.,2UKCE.,"CE.,UK.,UKCE.,"(Books,p.132).Forexample,Carroll'sreferencetothebelfryofChristChurchresemblinga"meatsafe"becomes,inaBookoftheDeadcontext,"thekeyof_Efas_Ԅ_Taem_"(311.12).Inhis"LewisCarrolland_Finnegans_ԀWake"(EnglishStudies,_XXXIII_,3(1952),Mr.Athertonshowedthatthe"key"wasatranscriptionoftheMiddleEgyptianTMSa_Ef_,"TemishisownSon".BeinginformedbyawellknownEgyptologistthatthetranscriptionwasmeaningless,Mr.Athertoninformsme,hewithdrewthenotefromBooks.Later,afterthepressofpublication,heascertainedthatthewordsdidindeedmean"TMishisownSon",buttheEgyptologisthaddecidedthiswasnonsense.HereisareminderthatwearenotstudyingMiddleEgyptiangrammar,butJoyce'suseofEgyptianmaterialin_FW_.  61CE.,UK.,  UKCE., -(1 ThedevelopmentallinkbetweenthesinglestagedmastabaandthepyramidisthesteppedtoweroftheStepPyramidof_Saqqarah_.CE.,UK.,UKCE.,2CE.,UK.,UKCE.,ԀInconstructinga"real"  pyramid,asmoothcasingisplacedoverthegraduatedlevelstogiveacharacteristicallytriangularshapeofsmoothstone.The"heart"ofthepyramidisthusmuchliketheziggurat,thestagedtempletowerofBabylon.Joyceseemstoincludeadescriptionofthepyramid'smakeupwith"_beaconsfarafield__innerhalf_Ԁthe_zuggurat_"(100.19).Thisalsocombinesthepyramidsofthe_pharaohfield_Ԁ(withan_innerhalf_Ԁwhichresemblesaziggurat),andthebeaconofthelighthouseatPharos.Thebeacon,inthe_FW_Ԁcontextisbeinglightedinconjunctionwith"theinfalliblespikeofsmoke's_jutstaff_,CE.,UK.,UKCE.,CE.,UK.,tUKCE.,Ԁ(100.15).Thisindicates,theSkeletonKeysuggests(p.83),theelectionofanewpope:heresignalledfarafieldinancientEgyptandBabylon,amongotherplaces.  Theoldestpyramid,foundat_Medem_Ԁor_Medum_Ԁhas,accordingtoJoyce'ssources,lostitsoutercasingoverthecenturies,sothatthe"step"ofbrickbeneathhasbeenrevealed,andthispyramidBudgespecificallydescribesaslookinglike"aBabylonianziggurat"(Mummy,p.31).TheEncyclopaediaBritannicahasmuchthesamedescription,anda"beforeandafter"platetoshowhowtheyearshaveworndownthestructure("pyramid",E19,XXII,684).Joyceusesthiscomparisonmostobviouslyat624.08:"The_Gowans_,ser,for_Medem_,me.Withacute_bubel_Ԁ_runtoer_Ԁforto_pippup_Ԁand_gopeep_Ԁwherethe_sterres_Ԁbe".TheancientEgyptianpyramidiscombinedwiththemostfamousBabylonianziggurat,theTowerofBabel.Pyramidtombsarealmostalwaysfoundin_FW_Ԁembeddedinaculturalmergingofsomesort,slightalterationsinspellingsuggestinglinksthatspanspaceandtime,suchas"ElMontede_Zuma_"(339.33)whichincludesmostobviouslythenameMontezuma,butalsothemontede_Zuma_,themountainsof_Zuma_:Budgeexplainsthat_Zuma_Ԁisthenameofapyramidfield(TheEgyptianSudan,I,129).ThisinturnremindsusofthevastnewworldpyramidsoftheAztecs,whosemonarchMontezumawasuntilhefellbeforetheconquistadors.TheGreatPyramidof_Giza_,mostimpressiveandwellknownofthepyramids,wasbuiltforthepharaohpopularlyknownasCheops.Itisfoundaspartof553.10,"_chopes_Ԁ_pyramidous_".HumphreyC._Earwicker_ԀbecomesCheopsat  CE.,UK.,UKCE.,2CE.,UK., UKCE.,ԀBuilt,accordingtolegend,by_Imhotep_Ԁor_Imouthis_,auniversalgenius,famed "$ forhisknowledgeofmedicine,laterdeifiedandgivenmanyofthecharacteristicsofThoth(Gods,I,s22).Shaunclaimstobeasmuchageniusasthebrilliantarchitect_Imouthis_Ԁ("amouth's")at159.24:~~myown_naturalborn_rationswhichareeveninexciseofmy_vaultbrain_ԀinsuremethatIamamouth'smoredeservingcasebygenius".Shaunthentellsthefableof_surrus_Ԁand_causeous_Ԁandtheirlovefor_Margareen_,aCE.,UK., UKCE., CE.,UK.,#UKCE.,_cleopatrician_,CE.,UK.,$UKCE.,CE.,UK.,r$UKCE.,(166.34),whichheillustratesbyconstructingapyramidshapedtriangle.(DiagramsofwhicharefoundinSkeletonKey,p.104).  62CE.,UK.,$USCE.,  +J'/   CE.,US.,`%UKCE.,62.21:"_Humpheres_ԀCheops_Exarchas_".CE.,UK.,%UKCE.,3CE.,UK.,<&UKCE.,ԀWehaveseenabove(p.29)thatonone  occasionthewakeseemstobetakingplaceattheGreatPyramid:"willyouwhoopformy_deading_Ԁisa?Wake?_Usqueadbaughaml_"(24.14).Thattonguetwisting"_Usqueadbaugham_"iscomposedprimarilyof_uisce_Ԁ_beatha_Ԁor_usquebaugh_,Gaelic"wateroflife"orwhiskey.Itistheselifegivingspiritsthatraise_Finnegan_fromthedead,butIthinkthatinthisparticularlinethereisamorespecificlinkbetween_Giza_Ԁandthe"watersoflife".Thiscanbeseenthroughareferencetothestudentoftheosophicandmasoniclore,_Marsham_ԀAdams.CE.,UK.,o&UKCE.,4CE.,UK.,*UKCE.,ԀWeare   notconcernedherewithhisvariousesoterictheories,butwithageneralobservationhemakesinacentralepisodeofhisHouseoftheHiddenPlacesCE.,UK.,A*UKCE.,5CE.,UK.,+UKCE.,Ԁin 6   whichAdamsstandsintheentrancewaytotheGreatPyramid,musingonthe"perpetualpresenceofthelifegivingriver.Fromendtoendofitsterritory,fromagetoageofitshistory,inthereligion,inthecommerce,inthe_honors_ofthedead,whereverweturnandonwhatsoeverobjectwemayfixoureyes,weneverforamomentlosesightofthebluewatersoftheNile"(HouseoftheHiddenPlaces,p.50).ForAdams,theworkofEgyptologists,workingbythebanksoftheeternallyflowingriver,hadeffectedtherebirthoftheancientculture:"Aswecontemplatetheheavenreflectedinthebluewatersoftheriverasitflowswithout...Egypt,forsomanyyearsthelandoftheburied,becomesthelandoftherisendead"(HouseoftheHiddenPlaces,P70)    WeknowthatJoycesoughtoutexamplesof"resurrections"toincludein_FW_,hisuseof_Tutankhamen_Ԁbeinganimportantexample.CE.,UK.,Q+UKCE.,6CE.,UK.,/UKCE.,ԀAdams,fromthevantagepoint d oftheGreatPyramid,givestheentirelandofEgyptasatypeofrebirth.Thelinkingoftherisendeadtotheeternallyflowingriverisimportantin_FW_.Perhapsbecauseofhispresentationofthem,Adamsissuggestedinthe    CE.,UK.,/UKCE.,3CE.,UK.,=1UKCE.,ԀJoycetakesadvantageofthecoincidentalfactthat,justas_HCE_Ԁistroubled B bythreeyoungsoldiersinthepark(see"ThreeSoldiers",SecondCensus,p.253),sowasCheops(or_Khufu_)warnedbyawisemanthathislineshouldbesupersededbythreesonsofthesungod.Breastedrelatesthisfolktalein_DRT_,p.15,explainingthat_Cheop_'sfourthdynastywasindeedsupersededbykingscallingthemselves"SonofRe".In_FW_,thetitleispartof"sonyetsun"(90.01).Thethree"sonsofthesungod"arefoundreplacinganoldrulerat415.21:"for_O'Cronione_Ԁlags_acrumbling_Ԁinhissandsbuthis_sunsunsuns_Ԁstilltumbleon".CE.,UK.,p1UKCE.,4CE.,UK.,%5UKCE.,ԀThejuxtapositionof_Giza_,thewatersoflifeandtheensuingassociation "$ withAdamswasbroughttomyattentionbyMr.Athertoninapersonalcommunication.CE.,UK.,X5UKCE.,5CE.,UK.,W6UKCE.,Ԁ_G.R.S._ԀMeadisveryenthusiasticaboutAdams'TheHouseofHiddenPlaces J% ' London(1895)andespeciallyhissecondTheBookoftheMasterofHiddenPlacesLondon,(1898):"IfEgyptdidnotteachthiswisdom,thenwemustperforcebowdownbeforeMr.Adamsastheinventorofoneofthemostgrandiosereligionsoftheuniverse"(ThriceGreatestHermes,I,London(1906),pp.8081).BothMeadandAdamsarejoinedwiththe"watersoflife"at551.22:"themeedshall,intheirsecond_adams_,allbemadealive".CE.,UK.,6UKCE.,6CE.,UK., 9UKCE.,ԀMr.Atherton(Books,p.195_n.l_)hasfound_Tutankhamen_Ԁin_FW_Ԁoneleven $+t&. differentoccasions:26.18;29.28;102.22;242.18;291.04;294.08;335.29;367.10;385.04;395.23;512.34.  63 -(1 CE.,UK.,=9  UKCE.,veryfirstlineof_FW_,"_riverrun_,pastEveandAdam's"(3.01).TheimmediatereferenceistotheLiffey,andtothechurchofAdamandEveCE.,UK.,:UKCE.,CE.,UK.,;UKCE.,s,pastwhichtheLiffeyflows.YetbecauseJoycehasinvertedthename,whichaswehaveseenoftensignalsanEgyptianmeaning,theauralmeaningofthephraseaddsanoverlayoftheNile,andAdamsstandinginthedoorwayoftheGreatPyramid:riverrun,pastevenAdams.FuneraryCharms"_shabbty_Ԁlittle_imagettes_,_pennydirts_Ԁand_dodgemyeyes_"(25.02)  Thetombwasknownasthe"HouseoftheBlessed"or"HouseofEternity"(Budge,TheNile,p.249).The"House"wasstockedwithanarrayofhouseholditems,andalsowithavarietyofcharmsandinscriptions,intendedtoassistandprotectthedeceasedonhisjourneytothe_Otherworld_.Therearereferencestotheseparaphernaliascatteredthrough_FW_;atonepointJoyceverballyreproducestherichjumbleofitemstobefoundmassedinthe"House"ortomb:"But_t'house_Ԁand_allaboardshoops_!Show_coffms_,windingsheets,_goodbuy__bierchepes_,_cinerary_Ԁurns,_liealoud_Ԁ_blasses_,_snuffchests_,_poteentubbs_,lacrimalvases,_hoodendoses_,_reekwaterbeckers_,_breakmiddles_,_zootzaks_Ԁfor_eatlust_Ԁ...andforthatmatter,_javel_Ԁalso,anykindof_inhumationary_Ԁ_bric_Ԁau_brac_Ԁfortheadornmentofhis_glasstone_Ԁ_honophreum_,wouldnaturallyfollow"(77.28).ThesefunerarycharmsorobjectsarenotalwaysfoundinsituationswhichareimmediatelyrecognizableashavinganEgyptiancontent.Itisanoddfact,forexample,thatinthefirstwakesequence_Finnegan_'sstonepillowcomestoapoint,asclearlyindicatedby"sharpenhis_pillowscone_"(6.23).ThiswouldseemtoindicatethatitisanancientEgyptianfuneralcone.Budgewrites(Mummy,p.394)thattheseconesmaymerelyhavebeensomesortofmemorialobject,ortheymayhavebeenrepresentationsofloavesofbread:at6.23,then,apillowscone.Theymayalsohavebeen,Budgecontinues,somesortofphallicsymbol,andthisthirdpossiblesignificanceisalsosuggested:a_sharppenis_Ԁ_pillowscone_.Ifthepillowswere"scones",theywouldhavebeenintendedforthedeceased's_kau_Ԁsouls.Therewasadoorbuiltintothecoffinitself,sothattheselittlebeings(see"TheSoulorSpiritreleased",below)mightwanderabout,thenreturnforsustenanceandtovisittheentombedbody.Budgewritesthatinoneofthebestexamplesofthecoffindoor,itisactuallyequippedwitha"slidingpanel"(Mummy,p.427).Theloaveswouldbeplacedjustoutsidethisslidingpanel.Wefindat357.20thatanextremelyoriginalandamusinglinkisestablishedbetweenanancientHouseoftheBlessed,andanotherkindofbuildingentirely.Asthepublicansitsishiswoodenouthouse(lavatoryor"_lamatory_")browsingthroughleafletscasuallystrewnabout,heisalsoanOsirisinanEgyptian64CE.,UK.,;USCE.,  N*%- _  CE.,US.,JUKCE.,tomb,listeningforhiskausouls("cawcaw"),turningoverloavesleftforthesustenanceofthebodyofthecasualty:"Andwhilst(whenIdootmyslidingpanelandIhearcawcaw)Ihavebeenidyllyturmbingoverthelooseloovesleafletsjaggledcasualltyonthelamatory,asismythisis".Themodernandancientimagesmergeinthe"mythisis"which,likethelooseloavesleaves,hasbeenleftLyingabout.Itisacopyof"mythIsis":CE.,UK.,&KUKCE.,7CE.,UK., MUKCE.,Ԁtheoldmaniswhiling . awaythetimewithacopyofTheBookoftheDead!  TheEgyptiantoneoftheabovesceneissetbyareferencetothefalsebeardofgodhood,brasshuedwhenfoundonthemummycaseoftheking:"(didhehavebutHughdeBrassey'sbeardsliehiswearmineofancientguised)"(357.07).Thesamesortoffalsebeard(whichcanbeseenonOsirisinthefrontispiece)waswornbythekinginlifeonceremonialoccasions,hencethe"beardwig"(625.02)ofHCEplaying"thekingofAeships"(625.04).Therewerecharmsprovidedtopreventorwardoffallsortsofmishaps.If,forexample,theheadofthedeceasedwasforanyreasondetachedfromhisbody,itwasbelievedthatthiswouldpreventrebirthasanOsiris.InFWtheheadsofanumberofcharactersareprotected,astheymightbeinthetomb,bythesacredUrspillow(Mummy,p.310).ShaunthinkstheprotectiveheadrestswillbeprovidedonthewaytotheheavenlygardensofSeketHetep("SeekitHeadup"454.35),atleastthereisanUrsprovidedinhiswords:"inthesuburrsoftheheavenlygardens,onceweshallhavepassed,aftersurceases,allserenethroughneckandnecklikeDerbyandJunetooursnugeternalretribution'sreward"(454.30).  ThevarietyofburialcharmsplacedaboutthetombwereintendednotonlytoprotectthedeceasedbutalsotoeasehislifeintheplantationsoftheOtherworld,whichwasasortof"flabberghostedfarmament"(494.03)inwhichtheprivilegeddeadcouldrelaxthrougheternity.Theycouldbesecureintheknowledgethatthemanysmall"doubles"ofthedead,theushebtiorshabtifigures,whichwereplacedinthetombwouldberesponsiblefortheheavylaborthatmightneedtobeperformedintheheavenlyfields.TherecitationofTheBookoftheDeadwassupposedtoactivatethelittleimages.Mr.Athertonhaslocatedthischapteraspartof:"Weseemtous(therealUs!)tobereadingourAmentiinthesixthsealedchapterofthegoingforthbyblack"(62.25).CE.,UK.,>MUKCE.,8CE.,UK.,lUUKCE., !B# Anotherreferencetoshabtifigures,alsopointedoutinBooks,    CE.,UK.,UUKCE.,7CE.,UK.,9VUKCE.,ԀMr.Slomczynski,notedforhisdetectivework,locatedthe"mythIsis"and t$& waskindenoughtoshareit,inapersonalcorrespondence.    CE.,UK.,lVUKCE.,8CE.,UK.,LWUKCE.,ԀThe"sixthchapter...byblack"suggestsyetanotherworkwhichJoyce &F") subsumedundertheheading"BookoftheDead"for,at179.26wefindShem"makingbelievetoreadhisusylesslyunreadableBlueBookofEccles,editiondetenebres".TheeditionofUlyssesShempretendstoreadisthenofte'nebres,"gloomordarkness",andthesixthchapterofUlysses,thebookofthedark,is"Hades".  65CE.,UK.,W  UKCE.,p.194,is"shabbtylittleimagettes"(25.02),whichaddsa"shabbiness"tothe -(1 shabtifigures.ThismayalludetotheancientEgyptianfear,duringoneperiod,thattheirshabtiswerenotperformingtheirworkCE.,UK.,gYUKCE.,"CE.,UK.,yZUKCE.,actingshabbilyCE.,UK.,ZUKCE.,"CE.,UK.,ZUKCE.,andthedeadweresufferinginconsequence(GreenfieldPapyrus,p.xvi).  Theword"shabti"mayberelated,Budgewrites,tousheb,"toanswer"(BD,p.53n.l).Thelittlefiguresweredesignedtoanswerthecallsofthedead,andthenperformtasksassignedtothem.ItwouldseemthatcharactersinFWnotonlyhavecharactersfromotherworksofliteraturetocarrypartoftheloadofmeaninginthebook,theymayeven,attimes,beawareofit.Thisissuggestedat410.33whereShaun,"beingtoosoftforworkproper"refersto"myanswerers,Top,SidandHucky"(410.35).AsMr.Athertonwrites,thethreenamesprobablyrefertothelastchaptersofHuckFinn,inwhichTomisSid,andHuckisTom(Books,p.243).ThiswouldindicatethatHuckFinn,withitslongriverjourneybecomes,inFW,akindofBookoftheDead(movingfromonestatetoanother)inwhichTom,SidandHuckareseveralofShaun's"multipleMes"(410.12).IfwefollowupMr.Atherton'sleadandturntoHuckFinn,itiseasilydeterminedthattheswitchinidentitiesfirsttakesplaceinchapterxxxiii.Tom(likeShaun)arrivescarryingaletter(aforgery):theidentityswitchiseffectedinordertostealtherunawayslave,Jim.BecauseShaunisdrawingfromthis"theft"chapterforhisshabtisor"answerers"ithelpstoexplainwhyhedoesnotrefertotheThebanrecension,ratherto"thethieves'rescension"(410.36).  ItcanbeseenthatmanyofthemagicaldevicesfoundaboutthetombhavebeenincorporatedintoFW.Invariousways,theyareadaptedtothesituationsinthebook.Withinthetomb,totakeanotherexample,wassealedareed,intendedtoprotectthedeceased.Itwasinscribed,Budgeobserves,withexactlyfivelinesofscript(Mummy,p.353).At566.35"Canyoureadtheverstlegendhereon?Iamhatherofthemissed.Areed!"givesussuchareed,assignalledbythereferencetoHathor,guardianofthedead,themissed.Thereediscertainlyunique,foritisanaspectofEarwicker's"soastarkpointingpole"(566.34),andthelinesinscribedonthisreedarealsounique,fortheyguideonepasttheDunlearyobelisk,intoDublinBayanduptheLiffeyinfivedirectionalphrasesseparatedbycolonsorsemicolons(566.36567.05)CE.,UK.,[UKCE.,9CE.,UK.,)dUKCE.,Ԁand F ! endingwith"asettingup"(567.05)ofasacredTet(seeabovep.34).Thisis    CE.,UK.,\dUKCE.,9CE.,UK., eUKCE.,Ԁ"Tothedunlearyobelisk...;tothegeneral'spostoffice...;tothe "$ Wellingtonmemorial...;toSara'sbridge...;tothepoint"(566.36).RecentlyIhavediscoveredthat,perhapsbecausethereedhasinstructionsengravedin"Egyptian",theyseemtobegiven"wrongwards"(567.03).ThisistrueinthesensethatHayman'sAFirstDraftVersionofFinnegansWake(pp.255256)showsthat,inanearlierdraft(withnoEgyptianreedpresent),theinstructionsareexactlyopposite:"thepoint...Sara'sBridge...WellingtonMemorial...PostingOffice...DunlearyObelisk".  66CE.,UK.,UKCE.,14CE.,UK.,UKCE.,ԀThiscanbeseenfromhis > additionof"whocomethfromthemightydeep"to"oversear".Ifweturnbackto493.30,thetiebetweenNuasthe"keeperoftheseal"andNuasthegodoftheprimalseaisclearer:"theoverseerofthehouseoftheoversireoftheseas,NuMen,triumphant".BecausethenameheremergeswiththenameofCardinalNewman,itfollowsthatthegodoftheseaalsoblendswiththesireoftheholysees,thepope.InJoyce'srecensionofchapterxx,then,theprincesoftheChurcharetiedtotheprincesofancientEgypt.Inanotherreferencethisiscarriedfurther,asasaint'sdaycalendarbecomesacopyofTheBookoftheDead:thesettingupofthedoubletettakesplaceonaredletterday,"Ofaredtettetterdaymorning"(490.27).  JoycedidnotrelyonBudgeonlyforhisselectionofpapyriandinscriptions.ThePapyrusofAba,forexample,canbefoundmentionedat309.02,"abackinthedoomofthebalkofthedeaf'.Budgedoesnotusethistext,butBreastedpresentsitasaninterestingexampleofthelastredactionofTheBookoftheDead(DRT,p.366).EarlierthanthepapyruscopiesofTheBookoftheDeadwereThePyramidTexts,founduponthewallsofcertainpyramids.Joyce'suseoftheseearlyinscriptionsisindicatedbythephrase"Beppy'srealm"(415.36)whichsignalsa  CE.,UK.,իUKCE.,14CE.,UK.,cUKCE.,ԀNu:"thewaterymassoutofwhichallofthegodswereevolved"(BD,p.4, x)$, n.3).  73CE.,UK.,USCE.,  , (0   CE.,US.,:UKCE.,parodiedquotationfromthePyramidTextofPepiII.Anextractfromthisisgiveninthe"Introduction"toBudge'sTheBookoftheDead,wherethephrasing"thenameofthisPepi...shallflourish...andthishisbuildingshallflourishforever"(BD,p.lxiii)isrepeatedmanytimes.InFWwefind:"AsbroadasBeppy'srealmshallflourishmyreignshallflourish:"CE.,UK.,UKCE.,15CE.,UK.,*UKCE.,ԀJoycealso X makesuseofothercommonspellingsofthename,besidesthat("Pepi")usedbyBudge.TheEB,inthelengthyarticleon"Egypt"(vol.XI,81)givestheGreekversionofthenamePepi,whichisPiopiorPhiopi.IfweareawareofthisalternativespellingasitmayhavebeenusedbyJoyce,wefindthatPepisareimportantinFwnotonlyfortheirpioustexts("pepeaceoranysingasoul"345.12),butalsobecausethefirsttwoPepisruledanenormousempire,andthusserveasatypeoftheempirebuilderinFW.Hencewefindreferencestoatextlinkedtoreferencestoanempire:thereichof"Pioupioureich"(181.04)echoing"Beppy'srealm"(415.36).ItisShaun(theOndt)whowishesarealmlike"Beppy";at470.07heispraisedasa"piopadeyboy".Itisnoteworthythatthisincludesthenameoftheemperor,butitisalsooneoftheplaceswhereJoycereconcilesopposites,forthepowerfulrulerssharethewordwiththe"PeepofDayBoys"eighteenthcenturyIrishprotestantrebelswho,thoughalsodefendersoftheestablishedorderwere,accordingtoChart,associatedwiththeverypoorestpeasants.CE.,UK.,^UKCE.,16CE.,UK.,UKCE.,    Shaun'stwinbrother,thepridefulartistShemseemstoclaimThePyramidTexts,writtenuponthewallsoftombs,forhisownwork.Amongthe"alphybettyformedverbage"(183.13)litteringthewallsofhishousearetobefound"imeffibletriesatspeechunasyllabled"(183.14),whichsuggestshehasbeentryingtoinscribe,orrecite,thePyramidTextofUnas:"Unassyllabled"(mentionedinGods,I,34).OpeningoftheMouth"Ihorizontthesame,thisserpewithramshead,andlayitlightlytoyourlipalittle"(486.21)Inorderforthejourneyintolighttobegin,itwasfirstnecessarytofreethebodyfromtheparalysisimposeduponitbytheswathings,andbydeathitself.Mostimportant,thejawsofthedeadwerefreed,andthedeadgivenavoicesothathecouldname,andthuscontrolthevariousgods,demonsandanimated  CE.,UK.,:UKCE.,15CE.,UK.,޼UKCE.,ԀInBooks,p.200,Mr.Athertonexplainsthat"Beppy"includesnotonlythe !B# nameofthepharaoh,butalsoBeppi,whichistheItaliandiminuativeforJoseph,"whoisbroughtinheretosharethenamewithapharaohhe'knewnot'".    CE.,UK.,UKCE.,16CE.,UK.,SUKCE.,ԀTheStoryofDublin,p.91.(Joyce'suseofChartnotedinBooks,p.91).  &p!( Mr.AthertondrewmyattentiontothePeepofDayBoysin"piopadyboy".Dr.BramsbackpointsoutthatthePeepofDayboyswereaProtestantgroup,whoseCatholicopposerswerecalledthe"Defenders".  74CE.,UK.,USCE.,  $+t&.   CE.,US.,UKCE.,objectswhichwouldbeencounteredalongtheway.ThewordsandnameswereprovidedbyTheBookoftheDead;theceremonyoftheOpeningoftheMouthmadetheirrecitationpossible.  TherearereferencestoaspectsoftheOpeningthroughoutFW,sometimesfoundinanovertlyrecognizableEgyptiancontext,sometimesfunctioninginotherplotsituations,usuallyasparody.PragmaticShaun,forexample,seemstoassociatetheOpeningoftheMouthwithstuffinghimselfwithfood.Thefirsthintofthisisgivenat411.11,wheninsteadofexclaiming"MaythegodPtahopenmymouth"(BD,p.133),hecries"Amen,Ptah!Hishungrywillbedone!"ThenameMoretgivestotheceremonyoftheOpeningisoupra(MysteresEgyptiens[1913],p.38).Shaunseemstoopenhismummymouthinanoupraceremonyinordertofillitat437.19,"(Oop,IneveropenmomouthbutIpackmefoodinit)".Joyceseemstopresenttheceremonywithanaffairofamusement,yetinsodoinghedrawsonanumberofsourcesanddistributesoccasionalreferencestodifferentaspectsoftheceremonythroughthetext.Thepressingoftwofingersuponthelipsofthedeceasedis,forexample,animportantpartoftheritual(Budge,TheOpeningoftheMouth,I,40).Itisclearlyindicatedat61.22:"Ilaymytwofingerbuttons,fianceeMeagher,(hespeaks!)".Asaninterviewseemstobetakingplaceatthispointintheaction,anabilityto"openmouths"iswhattheinterrogatorsrequire.  ThemostimportantfigureintheOpeningoftheMouthistheSempriest,(BD,p.133)acoincidencewhichmadeiteasyforJoycetocombinehisfunctionswiththenameofthetwinShem.Thishappensat286.30,asKev(Shaun)imploresDolph(Shem)tousehiscreativemagicandmakethegeometricfigure(whichcontainsthepudendaltriangleofthemother)revealitssecrets,to"speak".CE.,UK.,9UKCE.,17CE.,UK.,UKCE., h Shaunimplores:"tellittooui,do,Sem!"Thenameortitle"Sem"andthecharacteristicreversalofletters("Babel"CE.,UK.,UKCE.,"CE.,UK.,UKCE.,"Lebab")aretiedtoamouthopeningat258.11"ImmiammiSemmi.AndshallnotBabelbewithLebab?Andhewar.Andheshallopenhismouthandanswer".  AlsoShaunplaysthepartofSempriestonoccasion,aswesawat437.19,whereheisabletoopenhisownmummymouth.Thisisdoingthingsbackwards,sotospeak,iftheSempriestuseshismagictoopenhisownmouth.PerhapsthisisoneofthepowersclaimedbyShaunwhenheproclaimshimself"letterpotenttoplaythesembackwards"(419.23).AfterhismouthhadbeenceremoniallypriedorchiseledopenbytheSem  CE.,UK.,UKCE.,17CE.,UK.,`UKCE.,ԀCliveHart,inStructureandMotifinFinnegansWake,p.138commentson '#* Dolph's"mysticalpower",whichenableshimtorevealtheaspectsofthemothercontainedinthegeometricfigures.Itisappropriate,then,thathebeinpartaSempriest,whomightmaketherhomboid"speak",giveupitssecrets.  75CE.,UK.,USCE.,  , (0   CE.,US.,UKCE.,priest,CE.,UK.,cUKCE.,18CE.,UK.,UKCE.,Ԁitwouldbepossibleforthedeceasedtoparticipateinanumberof  revivifyingceremonies.Hewould,forexample,beabletoconsumeasortofCommunioncakeknownastheEyeofHorus.Thiswasapowerfulaidinrebirth,forHorushadsacrificedhiseyeinabattlewithSet(asblackpig).  TheeyewaslatermadewholeagainbyThoth,whospatuponit,afterwhichtimeHoruspresentedittoOsiristoeat,andthusattainimmortality.Hence,thedeadateareplicaofthewhiteEyeofHorus,alongwithsomesacredbeerasanaidto"comingforth".ThisceremonialmealisfoundinFW,thoughreferringtotheeyeas"luscious"andtothebeeras"horusbroth"isaJoyceaninnovation:"Whiteeyelusciousandmuddyhorsebroth!PigPursyreiley!Butwheredowegetoff,chiseller?"(482.05).MaxMullerwasoftheopinionthatthestoryoftheHorusEyecouldprobablybetracedbacktoanearliermyth,inwhichitistheeyeofthesunthatistornout,andfallsintotheNile,nearitssource,onlytorisefromtherivereachmorningasasignofrebirth(Myths,pp.1245).Joyceseemstodrawonthisexplanation,presentingatonepointascenethatinvolvesrisingfromthewaters,butalsoincludeseyeshealed(asinthelaterversion)withthespittleofThoth:"herises,shrivering,withhisspittyfuleyesandhiswhoozebecomewoice,Ephthah!"(240.05).PtahorPhtahisalsoincluded,asheiscalleduponintheOpeningoftheMouth(BDch.xxiii,p.133).Joyceisactuallyimprovingontheceremony:withthecry"Ephphatha!"Jesusopenedtheearsandmouthofthedeafman(Mark7:34).Thereisasailingvessel,azebec,inthe"whoozebecome"voicefor,havingbeenrousedandgivenamouth,theresurrectedorrevivedonemountedtheboatofthesun,asweshallseebelow.  Withmagicallyfreedjaws,havingbeengivenamouth,thedeceasedwasabletoutterthewordsandnamesofpowerthatwouldenablehimtotravelsafelythroughtheworldofdarkness.Thenamingprocesswasofconsiderableimportance,foritwasthroughknowledgeofitsrenor"name"thatonegainedthepowerofanybeingorobject(DRT,p.116).Indeed,Mr.Athertonspeculatesthat"oneofthechiefattractionsofTheBookoftheDeadforJoycemusthavebeeninsistenceuponthevalueandefficacyofCE.,UK.,UKCE.,CE.,UK.,)UKCE.,wordsofpower'...usedwithoutalterationas'wordsofpower'(98.26)and'wordsofsilentpower'(345.19)"(Books,p.19).CE.,UK.,YUKCE.,19CE.,UK.,UKCE., !B# CE.,UK.,8UKCE.,18CE.,UK.,zUKCE.,ԀTheuseofachiselintheOpeningoftheMouthcanbeseen,forexample,in #% A.M.Blackman,"TheOpeningoftheMouth",JournalofEgyptianArchaelogy,10(1924),Fig.5.AnotherimportantinstrumentwastheUrHeka"intheformofaramheadedserpent"(BD,p.39).Thuswefindtheoldmenstimulatespeechwith"thisserpewithramshead"(486.21).    CE.,UK.,UKCE.,19CE.,UK.,gUKCE.,ԀMr.AthertonismistakeninhisassertionthatJoyce'suseofthephrase (#+ "wordsofpower"helpsprove"conclusively"thatheusedBudge(Books,p.194).Thephraseisverycommon;itisevenusedasachaptertitleinClodd'sTomTitTot,mentionedbelowinthissectionofthedissertation.  76CE.,UK.,  UKCE.,Therecitationofnameswasobsessiveinitscompleteness.Thedeceaseddidnot -(1 merelynameacloseddoor;itwasnecessarytonamethehinges,thebolt,theguardofthedoor.Thisprocessisechoedat26.17,"TheheadboddylwatcherofthechempelofIsid,Totumcalmum,saith:Iknowthee,metherjar,Iknowthee,salvationboat".Amoresuccinctsummationisfoundwith:"likeitorlumpit,butgiveitaname"(455.07).  TheHallofTruth"ItsthefulldressToussaint'swakeswalksexperditionafterabailmotionfromthechamberofhorrus"(455.06)ThroughoutTheBookoftheDeadandothertextsarefoundutterancesintendedtoprovidethedeadwithwordsandnamesofpower.PerhapstheirsinglemostimportantutilizationisattheconfrontationbetweenthedeceasedandthemysteriousFortyTwoAssessorstowhomwererecitedthephrasesofthesocalled"NegativeConfession",whichisfoundaspartofch.cxxvofTheBookoftheDead(p.360).Thedeceasedbeganbyexclaiming,"IknowthenamesofthetwoandfortygodswhoexistwiththeeinthishallofdoubleMaati",thatis,theHallofTruth.Thedeceasedwasthentoreciteanumberofstatements,eachofwhichbegins:"Ihavenot..."andwasintendedtofirmlyestablishhisinnocence,andhiseligibilityforimmortality.AsMr.Athertonexplains(Books,p.195),thethirtythirdstatement,"Ihavenotstoppedwaterwhereitshouldflow"isfoundinFWat105.24:"IhavenotStoppedWaterWhereItShouldFlow".AJoyceanversionofanegativeconfessionisfoundat311.12,"(IhavenotmislaidthekeyofEfasTaem)...(Ihavenotlefttemptationinthepathofthesweeperofthethreshhold)".InhisdiscussionoftheConfession,Mr.AthertonexplainsthatTheBookoftheDeadcontainsasecondversion,inwhichthedeceasedaddresseseachoftheFortyTwoAssessorsbyname(Books,p.195).FromhisreadingofTheBookoftheDead,Joycewouldhavebeenawarethatitisofextremeimportancethatthedeceasedconfesstoeachofthejudges,thatheknowseachoftheirfortytwonames,ifheistoassurehimselfavoyagetotheotherworld.InFW,however,JoycedoesnotrelatethenumberfortytwototheConfession,butrepeatedly,thenumbertwentynine.Thisisclearat105.23:"OftheTwoWaysofOpeningtheMouth,IhavenotStoppedWaterWhereItShouldFlowandIKnowtheTwentynineNamesofAttraente".TwentynineisfurtherrelatedtotheNegativeConfessionandOpeningoftheMouthwith:"Geoglyphy'stwentyninewaystosaygoodbett"(595.07).Budgewritesthattheassessorswereoriginallyrepresentativesofgeographicareas(Gods,I,153),heresuggestedby"Geoglyphy",thegeoglyphyoftheLiffy,wherethisassess77CE.,UK.,USCE.,  '#*   CE.,US.,UKCE.,menttakesplace.CE.,UK.,hUKCE.,20CE.,UK.,UKCE.,ԀWehaveobservedabove(p.45)thatyoungIssy,the  daughterintheFWfamily,sometimesdividesorappearsasanumberofgirls,"sosiesesthers"(3.12).ThefiguretwentyninehasageneralimportanceforFWasthenumberoftheleapyeargirls,agroupofthosenymphswhoseidentityseemstoemanatefromIssy.CE.,UK.,UKCE.,21CE.,UK.,TUKCE.,ԀThus,whenweobservethatitisindeedtheyoung X daughteror"dotter"(595.05)whoknowsthesecretof"Geoglyphy'stwentynineways",thedeductionistobemadethatthesegirls,IssyandhertwentyeightreflectionsaresomehowtheequivalentoftheformidablejudgesorassessorsoftheNegativeConfession.Thegreatpoweroftheassessorscomefromtheirsecretnames,anditisthiswhichtiesthemtothegirls:Issyand"thetwofromthirtyadvocatesseswithinecho"(93.12)arelinkedtoancientEgyptthroughtheirrepeatedlyposednameriddle,withwhichtheytormenttheirbrotherGlugg(Shem).Thisreflectionofancientpowerinachildren'sgameiselucidatedbyaglanceatEdwardClodd'sinterestingTomTitTotwhich,asMrs.GlasheenhasrecordedintheSecondCensus(p.258),ismentionedbynameat260.02,"tomtittot".Thisbooktakesitstitlefromthechildren'sfableof"TomTitTot"or"Rumplestiltskin",inwhichthenameofthemajorcharactercontainshismagicalpowerorstrength:throughnaminghim,onecontrolshim.ThisisaconcepttracedbackthroughvariousculturesandepochstotheancientEgyptians'perceptionofwordsofpower.Justastheancientgods,suchastheFortyTwoAssessors,andlatersuchmysteriousfolkfiguresasTomTitTotplacetheirpowerintheirnames,sotoodothegirlsemploytheirownnameriddleasaren,anameofpower.Theoldritualsareshownatworkintoday'schildrensgames;unabletomasterthesecretofthegirlassessors'ren,Gluggis"Thrustfromthelight,apophotorejected"(251.06).Thisreinforcestheancientdynamicwithinthechild'splay,forGluggisrejectedaswasApophisorSet,hostileandunworthy.WhenthegirlsturntoChuff(Shaun),however,thefavoredbrother,theypraisehimwithahymnwhichis,inpart,aparodyoftheNegativeConfessionitself.  EnteringtheHallofTruth,thedeceasedwouldfirstconfesstohisjudgestheAssessors,thenexclaim,"Iampure.Iampure.Iampure.Iampure.MypurityisthepurityofthatgreatBennu...(BD,p.362).InFW,thegirlsintheirhymnaffirm,"Youarepure.Youarepure.Youareinyourpuerity"(237.24).TheythenrouseChuffasOsirisisrousedbyhissistersinthe"BookofBreathings"(seeabove,"LesPleureuses").Heisblessed,thosecosmeticdeities  CE.,UK.,UKCE.,20CE.,UK.,UKCE.,Ԁ"Geoglyphy"alsosuggestsgeoglifico,Italianfor"hieroglyphic";Joyce t$& mightbeusingtheItalianwordtoshowthat,asBudgerelates,itwasinanItaliantranslationoflheBookoftheDeadthattheOpeningoftheMouthwasfirstuncovered(BD,p.civ).    CE.,UK.,-UKCE.,21CE.,UK.,UKCE.,ԀSeeMrs.Glasheen'sobservationsonthe"Twentynine",SecondCensus.p. (#+ 263,foranindicationofhowvariedtheidentitiesofthesegirlsmaybe..  78CE.,UK.,USCE.,  +J'/   CE.,US.,UKCE.,"EnelRah"(237.28)and"ArucItuc"(237.29)areinvokedtobrightenhisface.PoorGlugg'sfateisdifferent,forthegirlAssessorscondemnhim.Stumpedbytheir"punnsandreedles"(239.35)heisdrivenaway.Thegirlsarecirclingtheirelect,andtheyscoff:"Yettheringgaydrorosilywithadratforabratyou"(239.36).Realizingthat,thoughtheyarechildrenplayinggames,thegirlsactionsreflecttheancientpatternoftheAssessorsorjudges,givestheir"gayed"circleanominousring,for,accordingtoWilkinson(II,100),gaydisMiddleEgyptianfor"anoose".Alessesotericrephrasingisfoundat226.20.Stumpedbythegirls'riddle,"Glugg'sgottoswing".Hewillcertainlysurvivehowever,forthisisafterallachildren'sriddlinggame,thepatternisnotrepeatedintheHallofTruth,but"Everyeveningatlightingupo'clocksharpanduntilfurthernoticeinFeenichtsPlayhouse"(219.01).  ReturningtotheancientEgyptianritual,afterhavingconfrontedtheAssessors,thedeceasedwouldhavehisheart(orconscience)weighedonascale,balancedagainsttheFeatherofTruth.Thoughthisceremonyisaveryimportantone(BD,pp.2134),IhavebeenunabletofindextendedspecificreferencetoitinFW.TheGracehoperisatonepointreferredtoas"featherweighed"(417.34),butthetrialitselfseemstoblendwiththeotherimportanttrialsinFW,suchasthatwhichbeginson85.23(see"TrialofOsiris",above).Afterthetrial,thedeadpersonwouldthenbeledbeforethegodOsiris,usuallybyHorushimself,whowas,accordingtoBudge,believedtoactasamediatorbetweentheJudgeoftheDeadandthedeceased(Gods,I,490).Thisissuggestedat455.05,"It'sthefulldressToussaints'wakeswalksexperditionafterabailmotionfromthechamberofhorrus".Afterthe"bailmotion"fromHorus,whichcanbeseeninthefrontispiecetotheKeganPauleditionofTheBookoftheDead,thedeceasedwouldbegintheexpeditionforwardintoday,readyforpert,MiddleEgyptianfor"tocomeforth".79CE.,UK.,USCE.,     CE.,US.,4UKCE.,3.THEPATHINTODAY  ComingForthintoLight  CE.,UK.,UKCE., CE.,UK.,UKCE.,mycomingforthofdarkness"(493.34)  ThefinalaimoftheBookoftheDeadwastoenablethedeadtomovethroughthelabyrinthofdarknessintothelightofimmortallife.ThisisindicatedbytheancientEgyptiantitle,transcribedbyBudgeasthe"ChaptersofPERTEMHRU",the"ChaptersofComingForthbyDay".Mr.Athertonhasnoted.(Books,p.193)thatthereisanundistortedreferencetoa"comingforth"(paraphrasingBD,ch.xxxb)"Myheart,mymother!Myheart,mycomingforthofdarkness!"(493.34).  Thetheologicalconceptofcomingforthby,orinto,lightalliesresurrectiontothedawnofeachnewday.ThethemeofresurrectionisimportanttoFW,andinJoyce'sbook,asMr.Athertonhasobserved,itisrelatedtothedawn:"PerhapsitisbecauseofthisconnectionbetweenresurrectionanddawnintheWakethatthethemeofresurrectionismoreoftencombinedwithallusionstoTheBookoftheDeadthanwiththegospels"(Books,p.183).Thestrongbondbetweenrebirth,thedawnandEgyptiantheologywhichisfoundinFWiswellillustratedbyapassagetakenfrom593.23,"PuNuseht,lordofrisingsintheyonderworldofNtamplin,tohptriumphant,speaketh".Mr.Athertonhasobservedthat"PuNuseht"is"thesunup"writtenbackward,inaparodyofMiddleEgyptian,andalsothat"triumphant"isBudge'swordforapersonwhohasovercomethepowerofdeath(Books,p.193).ThisjointpresentationoftherisingsunandthereborndeadisstrengthenedconsiderablybythefactthatthisisoneoftheplaceswhereJoyceiscertainlyusingtheMiddleEgyptianlanguage:PUNESUmeans"itistheking"who,likethesunatdawnisascending,triumphant.CE.,UK.,%UKCE.,22CE.,UK.,UKCE., h   ImagesofAscending"Grouciousmeandscarabmysahul!"(415.25)ItdoesnotseemtohavebeenrealizedtowhatanextentnaturalandanimalimageryisusedinFwtoexpressconceptsimportanttothetext.Aconcentratedstudyof"ascending"or"goingforth"throughdarknesstodawnwhich,as  CE.,UK.,4UKCE.,22CE.,UK.,UKCE.,Ԁ"PuNuseht"isinaparagraphwhichisfilledwithreferencestoancient #% Egyptianreligion.GraceEckley,in"LookingForwardtoaBrighteningDay",AConceptualGuidetoFinnegansWake,p.213,treatsmanyofthem.Sheconsidersthattheparagraph(593.2024)"conciselyparodiesTheEgyptianBookoftheDead,abookwhichassuresreawakeninginHeliopolis(594.8),thecityoftheSun".Thegreatcompactnessof"PuNuseht"itselfdemonstratestheinevitableincompletenessofanydetailedanalysisofFW;Mr.Siomczyuskiwritesinapersonalcorrespondencethat"whatAthertondidnotseeis'PunUseth'".  80CE.,UK.,USCE.,  +J'/   CE.,US., UKCE.,wehavejustseenisasignificantexpressionoftheresurrectionmotif,revealsthatJoyceseemstohavefollowedtheexampleoftheancientEgyptiansinformulatingasortofanimalor"zoo"code("Zookoud"244.17)inwhichideasmaybeexpressedthroughtheirrelationshiptothebasicphysicalmovementsofanimals.Thisinvolvesanetymologicalpunningthatmay,inthecaseoftheEgyptians,havearisenthroughthepictorialnatureofhieroglyphicwriting.Thereis,forexample,thefigureofahare(unorunn)inanameofOsiris,Unnefer.Laterscribesreasonedthattheremustbeanetymological(ratherthanphonetic)reasonforthehare:hemustbetherebecauseOsiris,likeahare,"sprangup"afterhisdeath.Inasimilarfashion,grasshoppersorpheasantscouldalsobeseenasexpressinganactionofreligioussignificance.    ThemostcompletetreatmentoftheseetymologicalpunsiswrittenbyRenouf,CE.,UK., UKCE.,23CE.,UK.,UKCE.,   whoisespeciallyinterestedintheimageofthehareasamagicbeast,whichhetracesbacktoIndia,aswellasancientEgypt.Thisideaissuggestedwith"runnindhare"(285.04)whichcontainsUnn,"ind"andarunninghare.The"unorunn"morphemeisoftenfoundinFWdistortingwordsthatareinacontextofresurrection,beginningonthefirstpage,whenitisan"unquiringone"(3.21)whogathersthepiecesofthefallengod.TheworldofFWisa"funnaminalworld"(244.13).Itisaworldofphenomena,includingfunnyanimals,suchasthespringinghare,UnnandalsoincludingArnenRa,thesun,who,likethehare,isseentorise:asisthegraphicallyphallicgodMin,alsoapartofthe"funnaminalworld".  Renoufexplainsthatthegallinaceousfamilyofbirds,suchasthegrouse,whichalso"springforth"fromcoverwasconsidered,likethehare,toembodyatheologicalconcept.Joyce'suseofthispunhelpsexplainapuzzlingnamefoundat449.27,"SaintGrouseus".Inhisexcellentarticle,"...ASentenceinProgress",DavidHaymanshowsthat,inanearlierdraft,"thebarkofSaintGrouseus"wasinstead"thebarkoftheday"(Hayman,p.148).AlthoughMr.Haymanidentifiedthe"grouse"intheoddsaint'sname,andaffirmsthattheearlier"barkoftheday"iscertainlythebarkofthesun,hecannotadequatelyexplaintherelationship.EspeciallyinconjunctionwiththeEgyptianbarkofthesun,thegrousepunmakestheconnectionclear,anditalsoexplainswhytheOndtexclaims"Grouciousmeandscarabmysahul"(415.25),asboththegrouseandthescarabaresymbolsofrebirthandimmortality.TheGracehoperiscertainlynottobeoutdonebyhisopponent,forhehasbeensinging"tothera,thera,thera"(415.11).Thisisbecausethegrasshopperisalsoanembodimentof"springingforth":thedead"arriveinheavenlikethegrasshopperof  CE.,UK.,UKCE.,23CE.,UK.,UKCE.,ԀCE.,UK.,UKCE., CE.,UK.,UKCE.,TheMythofOsirisUnnefer",LifeWorks,II,413.Thisarticlewasfirst &F") publishedinTransactionsoftheSocietyforBiblicalArchaeology,IX(1893),281294.  81CE.,UK.,OUSCE.,  $+t&.   CE.,US.,AUKCE.,Ra"(Gods,II,379).With"Grausssssss!Opr!"(417.01),thespringinggrouseandgrasshopperarefoundinthesameimage.    InEgypt,thedungbeetleorscarabcanbeseenascendingtotheheavensinhugeswarmsatnoon,whenthesunisatitshighest.This,andhishabitofslowlypushingballsofdungbackwardstothenest("whenhebeetlesbackwardain'tIfly?"(248.18)makesthebeetleanidealtypeofthesolargod,slowlypushingtheflamingballofthesunacrossthesky.Youngbeetlesseemtospringdirectlyfromthedungballs,whichreinforcestheimageofthescarabasthegodwhorecreateshimself(Gods,II,379382).ThegreatpowersascribedtothebeetleexplainswhymanyEgyptians,suchasthescribeAni,wereburiedwearingagoldring,withmountedscarab,intendedtogive"theprotectionandstrengthofthesungod"(Mummy,p.343).ItisprobablyascarabringthatHCEiswearingwhen,comingforthfromthepubheisdescribedashaving"lightningbugaflashfromafinger"(246.08).Heisalsowearingaremarkable"thundercloudperiwig"(246.07)whichaddstotheancientEgyptianatmosphere,forinhiseditionofTheBookoftheDead(LifeWork,IV,86),RenoufnotesthatsuchawigwouldbewornbytheEgyptiangods.Itis,Renoufexplains,"oneofthemythicalformsofrepresentingthelightcloudatsunriseorsunset,inwhichthedeityispileatus".InFW,thecloudisnotsolight,forthefathercallshischildrenhomeinathunderousvoice,hencehiswigismorelikea"thundercloud".CE.,UK.,UKCE.,24CE.,UK.,UKCE., > The"Housefather"(246.06)isdressedasanancientEgyptianatthispointbecauseinemergingfromthepubCE.,UK.,UKCE.,"CE.,UK.,UKCE.,his"house"CE.,UK.,UKCE.,"CE.,UK., UKCE.,hefollowsthepatternoftherisingdead,openinghismouthandcomingforth:"mysoulsandbyjings,shouldheworkhisjawtogivedownthebanksandharkfromthetomb!"(246.08).Thecentralimageisthatofthescarab,"aflashfromafinger".Thecompounds"aflash"and"afinger"considerablystrengthenthescarabaicovertones,forAfisthenameofthenightsun,whorisesinthemorningskyintheformofKhepera,thescarabgodofcreation(Gods,I,257).  Althoughthescarabisprimarilyasolargod,wehaveseenhowclosetheimageoftherisingsunistothatoftherebornOsiris.ThescarabwasalsoanOsiriansymbolofresurrection,a"deadbodyfromwhichaspiritualandglorifiedbodyisabouttoburstforth"(BD,p.4n.2).Thus,aphrasesuchas100.01,"beetlydeadwhetherbylandwhitherbywater"(alsomentionedabove,p.32)willalmostalways,inFW,signalanaffirmationoflifeafterdeath.Inthepresentexample,thoughthegodisdrowned("HelayunderleaguesofitindeepBartholoman'sDeep",100.03),hewillriseagain,"beetly"  CE.,UK.,K UKCE.,24CE.,UK.,$UKCE.,ԀThatHCEmayhavehisheadupintheancientEgyptiancloudsisalsotreated &F") below,p.85.  82CE.,UK.,$USCE.,  N*%-   CE.,US.,%UKCE.,asadungbeetle,shiningasthesungod,Aten,shines:"Achdung!Pozor!Attenshune!"(100.05).  Mr.AthertonrelatesthatsectionsofTheBookoftheDeadwereengraveduponnumberlessscarabs(Books,p.192).Joyceseemstodrawonthistogiveusanamusingimageofthebeetlescomingtolifeunderthecreatinghandsoftheartistorscribeatthe"deletefulhourofdungfliesdawning"(118.32).ThisimagealsorelatestheartisttoKhopriorKhepri,thescarabgodhimself.AsCliveHartaffirms,thescarabgodascreatoris,inFW"clearlyShem,the'dirtylittleblackingbeetle'(171.30)who'beetlesbackwards'(248.18)andfromwhosecorruptingbodyallartisticlifeflows..."(AWN,Feb.,1967,p.14).  Joyce'sdevelopmentofhisscarabimagesmaywellbebasedonapersonalknowledgeoftheirimpressivenesswhenrenderedinstone,forweknowthathewasgreatlyimpressedbytheEgyptianstatuaryintheBritishMuseum(Power,ConversationswithJamesJoyce,p.48).PresentinthecentralsaloonwhenJoycevisited,CE.,UK.,%UKCE.,25CE.,UK.,;*UKCE.,Ԁandstilltheretoday,asanyonewhohasseenitwill `  remember,isanenormousgreenblackgranitescarabbeetle,whichprobablycontributestotheimageconjuredbysuchphrasesas"notaleetlebeetle"(417.03)and"quiteabigbug"(596.27).  TheBennubirdorphoenixisalsoasymbolofascensioninFW,asevidencedby473.17,"Shootuponthat,brightBennubird!"Therelationshipofthebird'sname,"phoenix"toDublin'sPhoenixParkhasbeenfullytreatedbyMr.Atherton(Books,pp.195196).Asheexplains,theetymologyofthenameissummarizedat135.15,"awellofArtesiaintoabirdofArabia",i.e.,theIrishforawellofclearwater,funuishqueisanglicisedinto"phoenix".Joycehimselfseemstogofurther,changingatobaccoofTurkeyintoafieryBennubirdwith"lov'dlatakia,thebenuvolent"(450.10).  TheBennuorphoenixseemstorisedirectlyoutofa"finish"intheword"phoenish"asitisfoundat4.15:"Phallifyoubutwill,riseyoumust:andnonesosooneithershallthepharceforthenuncecometoasetdownsecularphoenish".Wehavementionedthisphrase,andtheendofSetsuggestedby"setdown".ThelinkbetweenOsirisandtherisingphoenixisstrong,forthebirdroseoutoftheheartofthegod,andtheirsanctuarywasthesame.Wehaveseenthatthe"rise"ofOsirisisexpressedinelementarilyphysicaltermsinthemyth,andperhapsevenmoresoinFW.AsNathanHalperwrites,"Phallinsteadoffallsuggestsaphallicmeaning.Thephallusthathasfallenwillrise".CE.,UK.,o*UKCE.,26CE.,UK.,0UKCE.,ԀThus,theimageofthefierybirdisextendedtoembodytheimageof J% '     CE.,UK.,0UKCE.,25CE.,UK.,1UKCE.,ԀAndsinceatleast1909,whenBudgementionsitinhisGuidetotheEgyptian &F") Galleries,p.261.    CE.,UK.,1UKCE.,26CE.,UK.,2UKCE.,ԀAWN,xii,2(April1975),p.30.Therepeated"ph"("phall","pharce", x)$, "phoenish")givesanotherlinktorising:PHistheThebanCopticfortheMiddleEgyptianRe,thesungod.  83CE.,UK.,2  UKCE.,affirmativesexualitysoimportanttothemythofOsiris.Aswehaveseenabove -(1 (p.32),itwaspossibleforJoycetotakeadvantageofalinguisticcoincidenceindevelopingthisunitedimage,forthenameoftheancientEgyptianbirdofresurrection,Bennu,istranscribedsimilarlytothatofanancientEgyptiangodoferection,thephallicBenni(Budge,Dictionary,p.217).Insuchphrasesas"Bene!But,bythunderandturf,it'snotaloveryet"(294.26),theconjunctionofBennu/Benniand"notallover"CE.,UK.,3UKCE.,"CE.,UK., 6UKCE.,"alover"isclear.  ItisextremelydifficulttoseparatetheindividualaspectsofresurrectiononefromtheotherinFW,evenifoneremainswithinasinglearea,suchastheuseofancientEgyptianmaterial.WehaveseenthatthephoenixislinkedtothegeographyofIreland,toOsiris,andtoaminorphallicgod.At55.27,"aboundthegigantig'slifetree.Ourfireleavedloverluckyblomsterbohm,phoenixinourwoodlessness"leadstotheobservationthatthephoenixwassaidtocomeintobeingoutofafireburningonthetopoftheholyPerseatreeinHeliopolis(Gods,II,371).Theburningtreeissuggestedherebythepositioningofthephoenixandthefieryleavesofthelifetree.The"gigantig'slifetree"isnotonlysuggestiveofatree,butalsoofagiganticship'smastortree,whichislinkedtotheflamingphoenixat504.23,"birdflaminganssweenyswingingfuglewardsonthetipmast".Manyoftheseflamingresurrectionimages,mostofthemphallic,seemtoculminate(andinthislimitedtreatmentmustterminate)withthetoweringexclamation,"HolySaintEiffel,theveryphoenix"(88.23).Thechildren'sgamestakeplaceinthehallofthephoenix,"FeenichtsPlayhouse"(219.02).Theentrancefeeis,ifoneisresurrectedasagod,ascarab:"Entrancings:gads,ascrab"(219.03).Theperformancesherearerelatedtoperfume:"perfumance"(219.05).ThisisbecausetheBennuorphoenixcomesfromthelandofPunt,ofspiceandperfume:thelandofthePuns.TheBarkoftheSun"TuttyhistourinhisNowhare'sYarcht"(335.29)TheworldofFWisawateryworld,alwaysaffectedbythepresenceofthewater,andthesea.Thus,variousvesselsplayalargepartintheaction,withvaryingdegreesofsignificance.Joyce'suseofboatsandsailingimageryoftenseemstoreflecthisuseoftheancientideaofdeathasavoyageintoanothaexistence.FortheancientEgyptian,withhisarticulatedvisionsofthesun'svoyageandthejourneyofOsiris,deathwasasailingintoport,avoyagefromdarknessintolight.InFWmanyoftheancientbarksarenamed,andinvolvedinaccumulatedjuxtapositionsuntiltheymaintainapowerfulsignificanceassymbolsofrenewalandaffirmation.Sincetheopeningofhistombin1922,Tutankhamenhasheldhisposition84CE.,UK.,;6USCE.,  x)$,   CE.,US.,s?UKCE.,asthemostwellknownofancientEgyptianmonarchs.Aswehaveseen(PartII,n.6),hisnameisfoundinFWonatleastelevendifferentoccasions.Hisfuneralbarkisfoundat335.29:"TuttyhistourinhisNowhare'syarcht".Thisboatwasintendedtocarry"Tutty"acrossthearchoftheskytotheElysianFields,Amenti:the"yarcht"isthusanarchyacht."Nowhare's"suggeststhat,discovered,theyachtisnow,here.Asfarasitsreligioussignificance,itis"nowhere".Also,itisanowhareyacht,accordingtotheetymologicalpun:theyacht,and"Tutty"within,shallsoaruptoheavenlikethehare.ThisreinforcesthesuggestionofResin"Nowhare's",forResinapunningtitleofOsirisrising,meaning"TheRiser"(Osiris,I,46).WehaveexaminedtheconceptofresurrectionasaliteraryaccomplishmentinFW,beginningwiththegatheringofthegodinto"quires"ofthe"unquiringone"(3.21)abovep.37.Tutankhamen's"tourin"hisyachtsuggeststhathetravelsthrough,oraccordingtotheplanof,thePapyrusofTurin,whichincludesthefirstrecensionofTheBookoftheDeadtobetranslatedintoEnglish.CE.,UK.,?UKCE.,27CE.,UK.,_DUKCE., d    Anotherfairlyconventionalreferencetoasolarbarkisfoundat29.20,"weliveinourparoqialfermamentonetideonanother,withabumrushinahullofawherry".ParohisTheHebrewrootof"Pharaoh"accordingtotheEB("pharaoh",vol.XXI,346).Hisheavenlydomainswereaparochialaffair,merelyamorepleasantreproductionofhiswordlykingdom.Theclassicsortofbark(herea"wherry")wouldbemadeofpapyrusreedsorrushes.WehaveseenthatJoyceusestheEgyptianconceptofthewigasacloudingivingHCEa"thundercloudperiwig"(246.07:seep.82above).ThisistheJoyceandevelopmentofthepharaonicheaven,for"paroqial"hasadistinctsuggestionof"peruke":theEgyptiansignificanceswestudyareinHCE'swig,underhishat:"growinghoarishunderhisturban"(29.27).ThebarksmergewithanumberofotheritemsinFW,inageneralverbalmovementtowardsasinglemassiveimage,asat4.34:"hisroundheadstapleofotherdaystoriseinundressmaisonryupstanded(joygrantit!),awaalworthofaskyerscapeofmosteyefulhoythentowerly".Thisisrich,andjoyous.Inourpresentanalysiswenotethat,amongtheimagesoflifting,raising,orerectingstaplesandmasonryseveralsolarbarkshavealsobeeninserted:"joygrantit"containstheAntitboatofthesun(Dictionary,p.128).Itisfollowedby"waalworth",withtheUaaboatofthedawn(PapyrusofAni,p.5).Thefollowing"eyefulhoyth"suggeststhe"hoyth"orheightofasolarhoyorsloopwhichwaspoweredbytheeyeofthesun(Mummy,p.465).Ofcourse,"eyeful"suggestsmostimmediatelytheEiffelTower,which,aswehaveseen,isrelatedtothephoenixat88.24.Theresurrectiveimageryisrisingandphallic  CE.,UK.,DUKCE.,27CE.,UK.,KUKCE.,ԀBySamuelBirch,inBunsen'sEgyptCE.,UK.,KUKCE.,CE.,UK.,1LUKCE.,sPlaceinUniversalHistory,(second &F") edition),V,1867.  85CE.,UK.,aLUSCE.,  N*%-   CE.,US.,LUKCE.,here:Mr.SlomczynskiinformsmethathuyorchuyintheSlaviclanguagesmeans"penis".    Thetiebetweensexuality,"goingtobed"andtheresurrectiveriseinthesolarboatisaccomplishedmoresimplywithanotherreferencetoTutankhamen("NemaKnatut")at395.22:"beforegoingtoboatwiththevergesofthechapteloftheoperingofthemonthofNemaKnatut,sopassthepoghueforgracesake".Theword"chaptel"isachapel,andatell,Arabicfor"mound"andusedtodescribesuchasiteasmightcontainthechapelandboattoday.Alsosuggestedby"chapteloftheoperingofthemonth"isthe"ChapteroftheOpeningoftheMouth"throughwhichTutankhamenwouldbefreedtorise,utterwordsofpowerandascendtotheOtherworld.Thelinecontinues,"sopassthepoghue":theOpeningoftheMouthisaccomplishedbya"pogue",aGaelickiss.CE.,UK.,7MUKCE.,28CE.,UK.,PUKCE.,     TheOtherworld"dunbelowstarddepartarnenty"(607.26)AsMr.Athertonhasexplained(Books,p.194),Amentiisageneraltermmeaning"TheLandoftheDead"or"TheWest".ThistranscriptionisfoundinundistortedforminFW:"Amenti"(62.26).Budgeusesseveraltranscriptions,suchas"Amenta"(BD,p.141)whichisfoundat613.18,"Amenta".InFW,Amentiisfound"besidetheLiffeythat'sinheaven!"(26.08).Thefirstsignalthatthisisthecaseistobefoundonthefirstpage,astheriverruns,takingthereaderintoDublinBay.At3.15weencounterthefirstoftheviconianThunderwordsthatJoyce,followingVico'scyclicaltheoryofhistory,presentsas"thevoiceofGod'swrathwhichterminatestheoldaeonandstartsthecycleofhistoryanew"(SkeletonKey,p.34).ThisfirstThunderword,embodyingGod'swrath,beginswith"baba..."whichMr.Athertonsuggests(inapersonalcommunication)mayrefertothegodBaba,whomthedeadfearasanawesomefigureofdivinejudgement:"DelivermefromBabawholivesupontheentrailsofthemightyonesuponthedayofthegreatjudgement"(BD,ch.cxxv,p.372).BabaorBebais"hewhowatcheththeBightofAmentet"soitisespeciallyappropriatethatinFWheisfoundat"bendofbay"(3.01).Thisisa"dimbelowstarddepartarnenty"(607.26),anAmentibelowtheheavens.Itisevenbelowthestairs,whichcombinestheimageofthestairsofthesun,usedtoascendfromthedepths(Muller,Myths,p.35),andthestairsusedbythepublicaninhis"hothehill"(607.27).ThedawnshinesgreenonthisIrishAmenti,greenofIrelandandofEgypttoo:becauseofunusualatmos  CE.,UK.,QUKCE.,28CE.,UK.,WUKCE.,ԀThespellingofthewordsuggeststhatitistakenfromthetitleofDion &F") Boucicault'splay,ArrahnaPogue,"Arrahofthekiss",whichismuchusedinFW.(seePooks,pp.157161).  86CE.,UK.,XUSCE.,  $+t&.   CE.,US.,YUKCE.,phericconditions,theancientEgyptiandawncouldshinebrightgreen,thecolorofrebirthCE.,UK.,gYUKCE.,29CE.,UK.,YUKCE.,Ԁasitdoeshere:"Dayagreening"(607.24).    TheOtherworldwasdividedupintovarioussections,asMr.Athertonhasexplainedin"ShaunA"(ConceptualGuidetoFinnegansWake,p.164).MostimportantwastheFieldofHetep,theSeketHetep,whichissuggestedseveraltimesinFW,asat454.35:"Seekitheadup!"AnotherimportantdivisionofAmentiwastheSeketAru,whichMr.Harthaslocated,alongwiththeAntBoatofthesun,at418.05,"capsizerofhisantboat,sekethrede"whichincludesthe"seketh"orSeket,Field,andtheReeds,"rede".ThepagesofFWare,asIhaveattemptedtoshow,permeatedwithreferencestothecultureandtheologyofEgypt.Joycemadeuseofanastonishingnumberofitems,drawnfromavarietyofsourcesasheintegratedtheancientEgyptianmaterialalongwithallotherareasofsignificanceintothestructureofFW.Relyinglargelyonasmallnumberofsourcesanddrawingvariedpiecesofinformationfromothers,hewasabletoamassalargeandflexiblevocabulary.Wefindasmallillustrationofthisinhisuseof"alu",whichistheway"aru",asinSeketAru,isoccasionallytranscribed.ThisisthewayitisspelledbythescholarA.H.Sayce,inReligionsofAncientEgyptandBabylonia(1903).Heusesthetranscriptionwhenhewritesthat,inThePyramidTexts,theblesseddeadarecarriedofftotheFieldsofAlu"onthewingsofThoth"(p.37n.1).ThisimageofflyingtoAluaspresentedbySayceseemstohavebeentakenbyJoyceforuseinhiscreationofAmentiontheLiffey.Wefindthat,asthechildrenfindtheirwayhomeafterplay,thetownisa"Distortedmirage,aloofliestoftheplain"(265.29).Throughsuchphrases,Joyce'svisionofDublin,thecityheknewbest,cityofhisyouth,isexpandedtoincludeallcities.Theconfusednightmareofhistorywhichentrapsthemutelivingbecomesonewiththelabyrinthinedarknessthroughwhichwemusttravelbeforeemergingintolight.Althoughadistanceisachievedbyfiguringthecomposedsceneasa"mirage"(265.29)orafaded"fadographofayesternscene"(7.15),arumoroverheard"jesterday"(570.09),thisveryimmaterialapproachaddstothecumulativelypositiveeffectuponthereaderwhoisawareofJoyce'suseofancientEgypt,oftheconstantvoyageofthesun.Therewillbeariseafterfall,aphoenixriseafterthehostilityofSetputsanendtothegodking:"Phallifyoubutwill,riseyoumust:andnonesosooneithershallthepharceforthenuncecometoasetdownsecularphoenish"(4.15).  CE.,UK.,"ZUKCE.,29CE.,UK.,udUKCE.,ԀRenouf,TheHibbertLectures,1879London(1897)p.xii.Mrs.Glasheenhas  &p!( foundRobertHibbertandthelectureseriesheendowedaspartof"howldrnoutherhibbertlectures"(388.29).(See"Hibbert",SecondCensus,p.115).  87CE.,UK.,dUSCE.,_  $+t&.   CE.,US.,eUKCE.,CONCLUSION  "hisheart,soulandspiritturnto_pharaoph_Ԁtimes"(129.35)Intheprecedingpageswehaveexaminedasingleareaof_Finnegans_ԀWake:Joyce'suseofthe_Osirian_ԀtheologyofancientEgypt.TheancientEgyptiansbelieved,aswehaveseen,intheefficacyofthewrittenword,andinthegreatmagicofanameortext.AndlikeShakespeare,theEgyptianscribeseemsnottohavebeenabletoavoidapun.ThisapproachtolanguagecertainlymusthaveappealedtoanartistsuchasJoyce,totallydedicatedtohisart.Ourexaminationofthetexthasshown,however,thatasimportantforJoyce'sconstructionof_Finnegans_ԀWakeisthebasicsimplicityofthetheologyoftheancientEgyptians,initsmostimportantdetails.AsitispresentedinthoseaccountstowhichJoycehadaccess,thereligiousconceptsoftheEgyptiansareexpressedinelementary,naturalimages.Wehaveseen,inJoyce'suseoftheOsiriscycle,representativeexamplesofmostoftheemotionswhichoperatewithinafamilygroup:love,fear,rivalry,therevivifyingordestructivepowerofsexuality.Eachoftheseforcesisembodiedinafewindividuals,easilyabstractedfromtheirmythicsituationsandusedtodevelopcharacteranddesigninscenestakingplaceinthe_Chapelizod_Ԁpub.Thesymbolsofthegodsarealsobasic,andeasilymanipulated:aserpent,apillarofwood.Eventhenamesofcharactersandtheiremblems:referencestothetet,ortothegodSet,aresimplyconvertibleintoavarietyoflinguisticsituations.Aswehaveseen,forexample,itwaspossibleforJoycetotakeadvantageofthesimilaritylinkingtheGaelicwordforthefemalepudenda,_toth_Ԁor_toth_ԄballandtheEgyptiangodofwriters,Thoth,anddeveloptheimageofthearousinggoddessbecomemuse,femalesexualitythemagicalforcemotivatingcreation.Ontheotherhand,themajesticallysorrowfulimageofthemourningIsishasbeentransformedintothatofabroodyhen,patientlyscratchingherwaythroughaheapofrubbishand_potshards_.Shaun,ensconcedinabarrelfollowsthepatternofdivineOsiris,astoutfellow,forexportacrossthewaters.Asanyonewhohasread,orattemptedtoread_Finnegans_ԀWakeknows,itisnotpossibletoisolateanysingleareaofthebookfromanyother,andinmydissertationIhavepresentedillustrativeexamplesofhowJoycemergedhisEgyptianmaterialwithother,seeminglyunreconcilableimages,suchastheblendaccomplishedbetweentheAssessorsoftheNegativeConfessionandtheriddlingrainbowgirls.Thereareofcourseareasofmoreeasilyperceivedconjunction,suchasthepyramidsoftheoldworldandnew,orthevarietyofheroeswhohavegoneacrosstheseas,andhavebeenmournedbytheirwomen.Ourexaminationhasalsoshownthattherearemanyinstancesin_Finnegans_ԀWakewheretheEgyptianimages,orparodiesorparaphrasesof_Osirian_Ԁtexts,88CE.,UK.,6fUSCE.,  $+t&.   CE.,US.,*sUKCE.,arethemostoutstandinginaparticularcontext;JoycementionsmanyEgyptiantextsbyname,orcitesthem.ItshouldbeclearthattheancientEgyptianmaterialissomeofthemostimportantinthebook.DrawingontheexpressedbeliefsofAncientEgypt,Joycewasabletouseandcreativelydevelopextremelypowerfulsignaturesofresurrection.Asthedungbeetlerisesatnoon,astheverysunrisesandsailsacrosstheskydaily,somanhimself,rousedandguidedaswastherebornOsiris,comesforthfromthemuteparalysisofnight,intothesunlightofdawn:"_Irise_,_Osirises_!Bethymouthgivenuntothee!"(493.28).  AknowledgeofthemostsignificantEgyptianmaterialisimportantforacriticalappreciationof_Finnegans_ԀWake:indeed,itisfundamental.Inasense,thisisliterallyso,for_Finnegan_Ԁfallsfromhisbricklayer'sladderand,tumblingthroughavarietyofculturesinavarietyofformsarrivesatasortofculturalfoundation,landinginanancientEgyptiantomb.Heandtheothercharactersin_Finnegans_ԀWakeare,muchofthetime,participantsinoneoftheearliestandmostcompleteexpressionsofboththefamilyandthe_resurrective_dynamic,theancientEgyptiancycleofOsiris.Ifthisdissertationhasbeensuccessfulindemonstratingsomeofthewaysinwhichthisistrue,itsaimhasbeenaccomplished.89CE.,UK.,wsUKCE.,#XeXXXj#  d  XXXXeqXXBIBLIOGRAPHY I  #XXq%z#TheeditionsofJoyce'stextsused,andthosecriticalbooksandarticlesdealingwithJoyce'sworkthatarereferredtoin z thedissertation.Atherton,JamesS."LewisCarrollandFinnegansWake".EnglishStudies,_XXXIII_,1(February,1952),115. 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I London:JohnMurray,1895.63;63,n.5.   + w TheBookoftheMaster:or,theEgyptiandoctrineoftheLightbornoftheVirginMother.London:JohnMurray,   1898.63,n.5. e  7 ( x_Baikie_,James.ACenturyofExcavationintheLandofthePharaohs.London:ReligiousTractSociety,1924.19. 7    f O_Bayley_,Harold.TheLostLanguageofSymbolism:aninquiryintotheoriginofcertainletters,words,names,fairy  f  tales,folkloreandmythologies.London:Williamsand_Norgate_,1912.45.  1  Blackman,_Aylward_ԀM."TheRiteofOpeningtheMouthinAncientEgyptandBabylonia".JournalofEgyptian   Archaeology,X(1924),4759.76,n.18.   _Boylan_,Patrick.Thoth:TheHermesofEgypt.London:OxfordUniversityPress,1922.Citedas_Boylan_.34;55;57. z  Q B Breasted,JamesHenry.AHistoryofEgypt:fromtheearliesttimestothePer_sian_Ԁconquest.1905;"fullyrevised", Q  NewYork:Charles_Scribner_'sSons,1909;rpt.BantamClassic,1964.20.N7Breasted,JamesHenry.DevelopmentofReligionandThoughtinAncientEgypt:lecturesdeliveredontheMorse N FoundationatUnionTheologicalSeminary.NewYork:Charles_Sciibner_'sSons,1912;rpt.HarperTorchbook,  1959.Citedas_DRT_.20;22;38;39;42;43;46;61;63;67;68;73;76;85.  Budge,_E.A._ԀWallis.OsirisandtheEgyptianResurrection.2_vols_.London:_Medici_ԀSociety,1891.Citedas_Osi.is_.14; _ 21;35;37;39;42;43;44;85.TheNile:notesfortravellersinEgypt.1890;thirdedition,London:T.Cook,1893.64. -} LEӄed.TheBookofTheDead.FacsimileofthePapyrusofAniintheBritishMuseum.1890(ed._Renout_);London: L BritishMuseum,1894.14,n.3. ( ӄed.andtrans.TheBookoftheDead.ThePapyrusofAni,TheEgyptianTextwithInterlinearTransliterationand  Translation.London:BritishMuseum,1895.21;39;n.10;85.  ӄed.andtrans.TheBookoftheDead.FacsimilesofthePapyriof_Hunefer_,_Anhai_,_Kerasher_Ԁand_Netchemet_.14,n.3. b London:BritishMuseum,1899.TheGodsoftheEgyptians:or,studiesinEgyptianmythology.2_vols_.Lon (x #XeXXX#XXXXeCE.,UK.,UKCE.,    93   #XeXXX#XXXXedon:_Methue_/,1904.CitedasGods.14;16;21;29;30;34;35;36;36,n.8;37;39;40;43;43,n.17;44;48;51;51,n.  30;54;57;58;62;70;71;74;77;79;82;84.CitedasGods. x ӄTheEgyptianSudan.2_vols_.London:_Kegan_ԀPaul,1907.62.ed.andtrans.TheBookoftheDead,AnEnglish @ TranslationoftheChapters,Hymns,etc.ofthe_Theban_Ԁ_Recension_,withIntroduction,Notes,etc.3_vols_.1899; G "SecondEditionrevisedandenlarged",London:_Kegan_ԀPaul,Trench,_Triibner_,1909;rpt.London:_Routledge_Ԁ&_Kegan_ԀPaul,1974.CitedasBD.14;15;21;22;31,n.5;35;38;45;46;46,n.27;47,n.28;49;50;52;55;57;65;66; e 68;71;72;73;73,n.14;74;75;76;77;77,n.18;78,n.20;79;80;82;86.  l AGuidetotheEgyptianCollectionsintheBritishMuseum.London:BritishMuseum,1909.83.  # ӄed.andtrans.TheBookofOpeningtheMouth.2_vols_.London:_Kegan_ԀPaul,Trench,_Triibner_,1909.75.   ӄed.andtrans.FacsimilesofEgyptianHieraticPapyriintheBritishMuseum.SeriesI.London:BritishMuseum, ~   1910.CitedasFacsimilesofPapyri.42. I    g dӄintroduction.TheBookoftheDead,TheGree1ifieldPapyrusintheBritishMuseum.Thefunerarypapyrusof  g  Princess_Nesitanebtashru_.London:BritishMuseum,1912.66.  >  AnEgyptianHieroglyphicDictionary.London:JohnMurray,1920.CitedasDictionary.32;84.   TheMummy:ahandbookofEgyptianfuneraryarchaeology.1893;"revisedandgreatlyexpanded",Cambridge:   CambridgeUniversityPress,1925.CitedasMummy.62;64;65;66;68;82;85.   _ K Bunsen,ChristianCarl_Josias_Ԁvon.Egypt'sPlaceinUniversalHistoryV.Trans.CharlesH.Cottrell."Withnotesand _  additions"bySamuelBirch.London:_Longman_,Brown,Greenand_Longman_,1867.85.(g?Carter,HowardandMace,ArthurC.TheTombof_Tutankhamen_:discoveredbythelateEarl_ofCarnarvon_Ԁand g HowardCarter.3_vols_.London:Cassel,192333.36;68,n.12;70. 6 Clodd,Edward.TomTitTot:anessayonsavagephilosophyinfolklore.London:_Duckworth_,1898.76,n.19;78.  _Encylopaedia_ԀBritannica,eleventhedition.Cambridge:CambridgeUniversityPress,1910.Citedas_EB_.The  followingarticleshavebeencitedinthedissertation:Cana,FrankR."Nile"._EB_,XIX,692699.47.Griffith,F.L1."_Busiris_"._EB_,IV,873874.40,n.13Griffith,F.L1. D "Egypt:II,AncientEgypt"._EB_,IX,3980.18,n.9;74._Giffith_,F.L1."Pharaoh"._EB_,XXI,346.85. W UXX#ΝU=#Ν94  #Ν#Ν#XX#CE.,UK.,ٶUKCE.,  U #XeXXXm#XXXXeGriffith,F.L1."Thebes"._EB_,XXVI,739741.44.Petrie,WilliamMatthewFlinders."Pyramid"._EB_,XXII,683685.  62.Faulkner,Raymond0.AConciseDictionaryofMiddleEgyptian.Oxford: x [@OxfordUniversityPress,1962.40,n.13;49,n.29.Griffiths,J.Gwyn.The_Coriflict_ԀofHorusandSeth.Liverpool: [ LiverpoolUni_versity_ԀPress,196023,n.16. j @)ӄTheOriginsofOsiris._Munchner_Ԁ_Agyptologische_Ԁ_Studien_:9.Berlin:Bruno_Hessling_,1966.23,n.16. @ "Herodotus.TheHistories.Trans.Aubreyde_Selincourt_.Baltimore:PenguinBooks,1954.67,n.10. " _Horrack_,_Philipe_ԄJacquesde."TheBookofRespirations"._Ouvres_Ԁ_Diverses_,_Bibliotheque_Ԁ_Egyptologique_,tomeXVII.   Ed.G._Maspero_.Paris:ErnestLeRoux,1907.45;45,n.21. p   N C ӄ"TheLamentationsofIsisandNephthys"._Ouvres_Ԁ_Diverses_,_Bibliotheque_Ԁ_Egyptologique_,tomeXVII.Ed.G. N  _Maspero_.Paris:ErnestLeRoux,1907.45;45,n.22.  i  Mead,GeorgeHerbertShaw.ThriceGreatestHermes:studiesinHellenistictheosophyand_gnosis_.Byatranslation  4  oftheextantsermonsandfragmentsof_trismegistic_Ԁliterature.Withprolegomena,commentaryandnotes.3_vols_.    London:TheosophicalPublishingCompany,1906.56;63,n.5.    h ] _Moret_,Alexandre._Rois_Ԁet_Dieux_Ԁ_D'Egypte_.Paris:_Librairie_ԀArmandColin,1911.20;33;68;70. h  ӄ_Mysteres_Ԁ_Egyptiens_.1889;(revisedandenlarged),Paris:_Librairie_ԀArmandColin,1913.75.n g _Miiller_,W.Max.Egyptian.TheMythologyofAllRaces,XII.Boston:MarshallJones,1918,1246.CitedasMuller, n  Myths.39,n.10;40;43;46;50;51;54;76;86. 9  _Pierret_,Paul,ed.andtrans.Le_Livre_Ԁdes_Morts_Ԁdes_Anciens_Ԁ_Egyptiens_:_traduction_Ԁ_complet_Ԁ..._accompagnee_Ԁdenotes.  _Bibliotheque_ԀOrientale_Elzevirien22ne_,tome_XXXIII_.Paris:ErnestLeRoux,1882.46,n.26.  _Renouf_,PeterLePage,ed.TheBookoftheDead.FacsimileofthePapyrusofAniintheBritishMuseum.London: q BritishMuseum,1890.14,n.3. H The_HibbertLectures_,1897:lecturesoftheoriginandgrowth_ofreligion_Ԁasillustratedbythereligionofancient o Egypt.1880;secondedition,London:Williamsand_Norgate_,1897.87,n.29. : ӄ"TheMythofOsiris_Unnefer_".TransactionsoftheSocietyofBiblicalAr_chaeology_,IX(1893),281294;rpt.The  LifeWorkofPeterLePageRe_nouf_,II.Ed._Eduard_Ԁ_Naville_ԀandW.Henry_Rylands_.Paris:ErnestLeRoux,1903,401416.19;39,n.12;81;81,n.23. f ӄed.andtrans.TheBookoftheDead:atranslationwithcommentaryonthesecondandfollowingchapters. = ProceedingsoftheSocietyofbiblicalAr#XeXXXk#XXXXe95  #XeXXXU#XXXXeCE.,UK.,!UKCE.,  h _chaeology_,XIV-XIX(1892-1897);rpt.TheLifeWorkofPeterLePage_Renouj_;IV.CompletedbyE._Naville_.Paris:ErnestLeRoux,1907.19,n.3;82.-TheLife-WorkofPeterLePage_Renouf_..Firstseries,_Aegyptological_ԀandPhilologicalEssays.4_vols_.Ed._Eduard_Ԁ_Naville_ԀandW.Henry_Rylands_.Paris:ErnestLeRoux,1902-1907.Citedas_Renouf_,LifeWork.(For_cita_-_tions_,seetheabovetwoentries)._Sayce_,A.W.TheReligionsofAncientEgyptandBabylon.The_Gifford_Ԁ_Lectu_-resontheancientEgyptianandBabylonianConceptofthedivine._Edin_-burgh:T&TClark,1903.87.Wilkinson,JohnGardner.TheMannersandCustomsoftheAncient_Egyp_-_tians_.3_vols_.1837;"Newedition,revisedandcorrectedbySamuelBirch",London:JohnMurray,1878.19;19,n.12;37;56;67;79.Wilson,JohnA.Signs&WondersuponPharaoh:ahistoryofAmerican_Egyp_-_tology_.Chicago:UniversityofChicagoPress,1964.19;19,n.11;21.Young,Thomas."Egypt".EncyclopaediaBritannica,Supplementtofourth,FifthandsixthEditions,IV.Edinburgh:ArchibaldConstable,1824.18,n.9.96    LineIndexAchronologicalindextothelinesfrom_Finnegans_ԀWakecitedinthedissertation.Initalictypearethenumbersofthepagesinthedissertationwherereferenceismadetotheparticularline.BookI,section_i_Ԁ(3-29)3.01_riverrun_,pastEveandAdam's643.01fromswerveofshoretobendofbay86.3.04_passencore_Ԁ41,n.15.3.05_Armorica_Ԁ41,n.15.3.06isthmus41,n.15.3.06_penisolate_Ԁ41,n.15.3.06norhad_topsawyer_'srocksbythestreamOconeeexaggerated_themsel_-setoLaurensCounty's_gorgios_Ԁwhiletheywent_doublin_Ԁtheir_mumper_allthetime41.3.09_bellowsed_Ԁ41,n.15.3.10after41,n.15.3.11buttended41,n.15.3.12_sosie_Ԁ_sesthers_Ԁ45;78.3.12_nathandjoe_Ԁ41,n.15.3.13_regginbrow_Ԁ41,n.15.3.13_aquaface_Ԁ41,n.15.3.15Thefall(_bababadalgharaghtakamminarronnkonnbronntonnerronn_-_tuonnthunntrovarr_Ԁ_houna_Ԁ_wnska_Ԁ_wntoohoohoordenenthurn_Ԁ_uk_Ԁ!)86.3.20;3.21the_humptyhillhead_Ԁof_humself_Ԁpromptlysendsan_unquiring_Ԁonewelltothewestinquestofhis_tumptytumtoes_Ԁ37;45;47;81;85.CE.,UK.,UKCE.,4.14But_waz_Ԁ_iz_?_Iseut_?46.n.25.CE.,UK.,PUKCE.,4.15;4.17_Phall_Ԁifyoubutwill,riseyoumust:andnonesosooneithershallthe_pharce_Ԁforthe_nunce_Ԁcometoa_setdown_Ԁsecular_phoenish_.31;54;68;83;83,n.26;87.CE.,UK.,UKCE.,4.34hisroundheadstapleofotherdaystoriseinundress_maisonry_Ԁ_upstan_-_ded_Ԁ(_joygrantit_!),a_waalworth_Ԁofa_skyerscape_Ԁofmosteyeful_hoyth_Ԁen-_towerly_Ԁ85.CE.,UK.,yUKCE.,5.16that_shebby_Ԁ_choruysh_Ԁof_unkalified_Ԁ_muzzlenimiissilehims_Ԁthatwould_blackguardise_Ԁthe_whitestone_Ԁever_hurtleturtled_Ԁoutofheaven53.CE.,UK.,GUKCE.,5.22;5.23;5.25_Otherways_Ԁ_wesways_Ԁlikethatprovostscoffing_bedoueen_Ԁthe_jebel_Ԁand  97  $+ - the_jpsyian_Ԁsea._Cropherb_Ԁthe_crunchbracken_Ԁshalldecide.Thenwe'llknowifthefeastisa_flyday_.Shehasagiftofseekonsite44.6.09;6.10_Dimb_!He_stottered_Ԁfromthelatter._Damb_!hewasdud.Dumb!_Masta_-_batoom_,_mastabadtomm_Ԁ38;61;70.6.23;6.24Sharpenhis_pillowscone_,tapuphisbier!51:64.6.32well,see_peegee_Ԁoughtheought,_platterplate_Ԁ33.6.36;7.02wailhimrockbound(_hoahoahoah_Ԁ!)inswimswamswumandallthe_liv_-_vylong_Ԁnight,the_delldale_Ԁ_dalppling_Ԁnight,thenight_ofbluerybells_,46.7.08_Grampupus_Ԁisfallendownbut_grinny_Ԁ_sprids_Ԁthe_boord_Ԁ70.7.15Onlya_fadograph_Ԁofa_yestern_Ԁscene.33:87.7.29The_cranic_Ԁheadonhim,casterofhisreasons55.7.35_ombushes_Ԁ54.11.09aparody'sbird,aperi_potmother_Ԁ42.11.25_pleures_Ԁofbells46.13.30theleavesofthelivinginthe_boke_Ԁofthedeeds.72.14.02sheranforto_sothisfeige_Ԁher_cowrieosity_Ԁ42.20.10Forthat(theraptonewarns)iswhat_papyr_Ԁismeedof,madeof,hidesandhintsandmissesinprints.72.24.14willyouwhoopformy_deading_Ԁisa?Wake?_Usqueadbaugham_!63.24.16CE.,UK.,UKCE.,ԀNowbe_aisy_,goodMr_Finnimore_,sir.Andtakeyour_laysure_Ԁlikeagodonpensionanddon'tbewalkingabroad.Sureyou'donlyloseyourselfin_Healiopolis_Ԁnow29.25.02_shabbty_Ԁlittle_imagettes_Ԁ29:66.25.11;25.13The_menhere_'salwaystalkingofyousittingaroundonthepig'scheeksunderthesacredrooftree,overthebowlsofmemorywhereevery_hol_-lowholdsahallow32;39.26.08CE.,UK.,UKCE.,Ԁyourhairgrows_wheater_ԀbesidetheLiffeythat'sinHeaven!67;70;86.26.09CE.,UK.,KUKCE.,ԀHep,hep,hurrahthere!Hero!Seventimestheretowesaluteyou!Thewholebagofkits,_falconplumes_Ԁandjackboots_incloted_,iswhereyouflungthemthattime.Yourheartisinthesystemofthe_Shewolf_Ԁandyourcrestedheadisinthetropicof_Copricapron_.YourfeetareinthecloisterofVirgo.Your_olala_Ԁisintheregionof_sahuls_.30.26.17;26.18The_headboddylwatcher_Ԁofthe_chempel_Ԁof_Isid_,_Totumcalmum_,_saith_Ԁ:Iknowthee,_metherjar_,Iknowthee,salvationboat29;63;68,n.12;77.  98  % . 27.22;27.23_Aisy_Ԁnow,youdecentman,withyourkneesandliequietandreposeyouhonour'slordship!Holdhimhere,_Ezekiel_ԀIrons,andmayGodstrengthenyou!29;30.CE.,UK.,UKCE.,27.29Osleepy!Sobeyet!30.CE.,UK., UKCE.,29.20cameatthis_timecoloured_Ԁplacewhereweliveinour_paroqial_Ԁ_ferma_-_ment_Ԁonetideonanother,witha_bumrush_Ԁinahullofawherry85.29.27;29.28growing_hoarish_Ԁunderhisturbanandchangingcanesugarinto_sethu_-losestarch(_Tuttut_'scesstohim!)29;63,n.6;68;85.BookI,sectionii(30-47)39.14the_renns_Ԁ70.BookI,sectioniii(48-74)55.07;55.08onthebunkofour_breadwinning_Ԁliesthe_cropse_Ԁofourseed-father68;69;70.55.27CE.,UK., UKCE.,Ԁaboundthe_gigantig_'s_lifetree_,our_flreleaved_Ԁ_loverlucky_Ԁ_blomster_-_bohm_,phoenixinour_woodlessness_Ԁ84.56.34CE.,UK.,5 UKCE.,Ԁ_Tal_Ԁtheternofthe_tumulum_Ԁ61.60.19CE.,UK.,UKCE.,Ԁ_Sankya_Ԁ_Moondy_Ԁplayedhismangotricksunderthe_mysttetry_Ԁ34.61.13CE.,UK.,CUKCE.,ԀMeagher,anavalrating,seatedononeofthegranitecromlechsetts40.61.22CE.,UK.,UKCE.,ԀIlaymytwo_fmgerbuttons_,fianceeMeagher,(hespeaks!)75.62.21CE.,UK.,UKCE.,Ԁ_fIrst_Ԁ_pharoah_,_Humpheres_ԀCheops_Exarchas_Ԁ63.62.24;62.25Weseemtous(therealUs!)tobereadingour_Amenti_Ԁinthesixthsealedchapterofthegoingforthbyblack65;86.66.24;66.25pokesherbeakintothematterwithOwenK.afterher,tosee_whawa__smutter_Ԁafter43;43,n.17.66.28CE.,UK.,UKCE.,ԀThe_coffm_,atriumphoftheillusionist'sart30.BookI,sectioniv(75-103)75.07thewatchful_treachers_Ԁathiswake51.76.33This_wastohavebeen_Ԁundergroundheaven77.03_fIrst_Ԁinthewest38.77.09shie1dp1atedgunwale30.77.10conningtower30.77.28But_t'house_Ԁand_allaboardshoops_!64.85.23_Festy_ԀKing35.  99  m#+ 85.31;85.32theprisoner,soakedinmethylated,appearedindrydock,_appatently__ambrosiaurealised_Ԁ35.86.08impersonatingaclimbingboy35.86.09rubbedsome_pixes_Ԁofany_luvial_Ԁ_peatsmoor_Ԁo'erhisface35.87.32_Ay_!Exhibithisrelics!Bu!36.88.23;88.24HolySaintEiffel,theveryphoenix!36;84;85.88.35But,ofcourse,hecouldcallhimselfTern,too,ifhehadtimeto?Youbutthecould_anytom_Ԁ36;36,n.8;38.89.20theexpiryofthegoat'ssire37.90.01son-yet-sun63.93.12the_twofromthirty_Ԁ_advocatesses_Ԁwithinecho78.95.27the_fourbottle_Ԁmen37;67.98.26wordsofpower76;76,n.19.100.01_beetly_Ԁdeadwhetherbylandwhitherbywater32;82.100.03Helayunderleaguesofitindeep_Bartholoman_'sDeep82.100.05_Achdung_!_Pozor_!_Attenshune_!83.100.15theinfalliblespikeofsmoke's_justifT_Ԁ62.100.19_beaconsfarafield_Ԁ_innerhalf_Ԁthe_zuggurat_Ԁ62.102.01shewhoshutteredhimafterhisfallandwakedhim_widowt_Ԁsparingandgavehimkeenandmadehimable47.102.22ThebaneofTut63.BookI,sectionv(104-25)105.23;105.24OftheTwoWaysofOpeningtheMouth,IhavenotStoppedWaterWhereItShouldFlowandIKnowthe_Twentynine_ԀNamesofAtt-_raente_Ԁ77.105.28HowtoPullaGood_Horuscoup_Ԁevenwhen_Oldsire_ԀisDeadtotheWorld48.114.18_louds_Ԁof_latters_Ԁ_slettering_Ԁdown38.118.32this_deleteful_Ԁhourof_dungflies_Ԁdawning83.123.34thisnewbookofMorsesrespondedmostremarkablytothesilentqueryofourworld'soldestlight20.BookI,sectionvi(126-68)129.35hisheart,soulandspiritturnto_pharaoph_Ԁtimes88.131.17godatthetopofthestaircase38.134.09reeledthe_titleroll_ԀoppositeabraceofgirdlesinSilverontheScreenbutwassequencedfromthesetasCrookbackbytheevenmore_titu_-_lars_,Rick,DaveandBarry53.  100  $$t, 135.15wellof_Artesia_ԀintoabirdofArabia83.135.22Osorrowthesailandwoetherudderthatweresetfor_Mairie_Quai!40.135.22littlewhitehorse48.144.06hiss_blackleaded_Ԁchest51.156.05themummyscrips72.159.24myown_naturalbom_Ԁrationswhichareeveninexciseofmy_vaulty_-braininsuremethatIamamouth'smoredeservingcasebygenius62,n.2.166.34A_cleopatrician_Ԁ62,n.2.BookI,sectionvii(169-95)171.30thisdirtylittleblackingbeetle83.179.26his_usylessly_ԀunreadableBlueBookofEccles,editionde_teneb_-res,65.181.04_Pioupioureich_Ԁ74.183.13_alphybettyformed_Ԁ_verbage_Ԁ74.183.14_imeffible_Ԁtriesatspeech_unasyllabled_Ԁ74.194.16shimmeringlikethe_horescens_,_astroglodynamonologos_,thechildof_Niltit_'sfather50.194.26twobellesthatmaketheoneappeal45.BookI,sectionviii(196-216)198.01_ijypt_Ԁ18,n.9.198.24an_osiery_Ԁchair42.198.33thegreattribune'sbarrowalldarnels_occumule_,_sittang_Ԁ_sarnbre_Ԁonhissett,_drarnmen_Ԁand_drommen_Ԁ40.211.28an_oakanknee_Ԁfor_Conditor_ԀSawyer41,n.15.BookII,section_i_Ԁ(219-59)219.01;219.02Everyeveningatlightingupo'clocksharpanduntilfurthernoticein_Feenichts_ԀPlayhouse79;84.219.03_Entrancings_:gads,a_scrab_Ԁ84.219.05Newlybilledforeach_wickeday_Ԁ_perfumance_Ԁ84.219.10theirEldershipsthe_Oldens_Ԁfromthefourcoroners68.219.15after_humpteen_Ԁ_dumpteen_Ԁrevivals.BeforealltheKing's_Hoarsers_withalltheQueen'sMum47.226.20_Glugg_'sgottoswing79.229.36his_innersense_Ԁandthe_grusomehed_'s_yoeureeke_Ԁ55.237.24Youarepure.Youarepure.Youareinyour_puerity_Ԁ78.    101  "* 237.27;237.28;237.29Yourheadhasbeentouchedbythegod_Enel_-RahandyourfacehasbeenbrightenedbytheGoddess_Aruc_-_Ituc_Ԁ44;79.237.34TheGreatCacklercomesagain47,n.28.239.10_Behose_Ԁour_handmades_Ԁforthelured!47.239.35_punns_Ԁand_reedles_Ԁ79.239.36thering_gayed_Ԁ_fUnd_Ԁ_rorosily_Ԁwithadratforabrat79.240.04lateinhiscrave,_ay_Ԁhe,laidinhisgrave34.240.05Butlow,boyslow,herises,_shrivering,with_Ԁhis_spittyful_Ԁeyesandhis_whoozebecome_Ԁ_woice_._Ephtah_!76.242.18Oldgrand_tuttut_Ԁ63.243.04AniMama19,n.12.244.13our_funnaminal_Ԁworld81.244.17Zoo_koud_!81.246.06Housefathercalls_enthreateningly_Ԁ82.246.07Inthundercloudperiwig82;85.246.08lightningbug_aflash_Ԁfrom_afinger_Ԁ82.246.08Mysoulsandby_jings_,shouldheworkhisjawtogivedownthebanksandharkfromthetomb!82.248.18whenhebeetlesbackwards,_ain't_ԀIfly?82;83.251.06Thrustfromthelight,_apophotorejected_Ԁ51;78.252.15-16crownpretenders...._uruseye_Ԁ52.254.16Aand_aa_Ԁabad_abu_Ԁ_abiad_.A_babbel_Ԁmendubgulchoftears46.258.11_Immi_Ԁ_ammi_Ԁ_Semmi_.AndshallnotBabelbewith_Lebab_Ԁ?Andhewar.Andheshallopenhismouthandanswer75.258.31thebookoftheopeningofthemindtolight72.BookII,sectionii(260-308)260.02_tomtittot_Ԁ78.263.21Thetasksaboveareastheflasksbelow,_saith_ԀtheemeraldcanticleofHermes55.265:28;265.29Distortedmirage,_aloofliest_Ԁoftheplain87.285.04_runnind_Ԁhare81.286.30tellittooui,do,Sem!75.291.04Tut'sfut63.294.22_cropulence_Ԁ70.294.26Bene!But,thunderandturf,it'snot_alover_Ԁyet!84.295.08Tateand_Comyng_Ԁ63,n.6.302.27Twodiesofone_raffiement_._Eche_Ԁ_bennyache_._Outstamp_Ԁand    102  $$t, distributehimattheexpanseofhissociety.Tobecontinued.Anon.32.BookII,sectioniii(309-383)309.02;309.03abackinthedoomofthebalkofthedeaf31;73.309.08theschemeislikeyourrumbaroundmegarden31.311.12-13(1havenotmislaidthekeyof_Efas_-_Taem_)...(1havenotlefttemptationinthepathofthesweeperofthethreshold)61;77.314.24;314.25_ringround_Ԁas_worldwise_Ԁevehersins(pip,pip,pip)_willpip_Ԁ_futurepip_feature_apip_Ԁfootloose_pastcast_Ԁwith_spareshins_Ԁ52.319.20-21-Andbethecoopofhis_gobbos_,Reacherthe_Thaurd_,..._apo_-poofhis_buckseaseilers_,butwhere'sHorace's_courtin_Ԁtroop-_sers_?48._ahorace_,..._elderman_Ԁadaptive...49a_roaryboaryellas_Ԁ49.325.13327.32328.32;328.34thenightofthemakingtostandupthedoubletetofthe_oversear_Ԁoftheseizewho_cometh_Ԁfromthemightydeepandonthenightofmaking_Horuse_Ԁto_crihumph_Ԁoverhisenemy49;73.335.29_Tutty_Ԁhistourinhis_Nowhare_'s_yarcht_Ԁ63,n.6;85.339.12his_treecoloured_Ԁ_camiflag_Ԁ31.339.33ElMontede_Zuma_Ԁ62.341.09_balacleivka_Ԁ70.345.12_pepeace_Ԁor_anysing_Ԁasoul74.345.19wordsofsilentpower76.350.24when_th'osirian_Ԁ_cumb_Ԁdumblikethe_whalf_Ԁonthefiord30.357.07(didhehavebutHughde_Brassey_'s_beardslie_Ԁhiswearmineofan-_cient_Ԁguised)65.357.20Andwhilst(whenI_doot_ԀmyslidingpanelandIhear_cawcaw_)Ihavebeen_idylly_Ԁ_turmbing_Ԁovertheloose_Iooves_Ԁ_leaflefts_Ԁ_jaggled_Ԁ_casuallty_onthe_lamatory_,asismythisis64.358.24Loudlaudstohisluckhumpandbejettieson_jonahs_!49.367.10_Tutty_Ԁ_Comyn_!63,n.6BookII,section_i_Ԁv(383-99)385.04_Twotongue_ԀCommon63,n.6388.29_howldmoutherhibbert_Ԁlectures,87,n.29CE.,UK.,OUKCE.,395.22;395.23beforegoingtoboatwiththevergesofthe_chaptel_Ԁofthe_opering_Ԁof    103  $$t, themonthof_Nema_Ԁ_Knatut_,sopassthe_poghue_Ԁforgracesake.Amen.63,n.6;86.BookIII,section_i_Ԁ(403-28)410.12mymultiple_Mes_Ԁ66.410.33beingtoosoftforworkproper66.410.35myanswerers,Top,Sidand_Hucky_Ԁ66.410.36thethieves'_rescension_Ԁ66;72411.11Amen,_ptah_!Hishungrywillbedone!75.414.35funny_funereels_Ԁ31.415.01_oldbuoyant_,_inscythe_Ԁhis_elytrical_Ԁ_wormcasket_Ԁ31.415.11tothe_ra_,the_ra_,the_ra_,the_ra_Ԁ81.415.21_O'Cronione_Ԁlags_acrumbling_Ԁinhissandsbuthis_sunsunsuns_Ԁstilltumbleon63.415.23BookofBreathings45.415.25_Grouscious_Ԁmeandscarabmy_sahul_!71;81.415.31Ba's71.415.32_ablong_Ԁasthere'sa_khul_Ԁona_khat_Ԁ71.415.35;415.36Asbroadas_Beppy_'srealmshallflourishmyreignshall_flou_-_rish_!73;74;74,n.15.417.01_Grausssssss_!_Opr_!82.417.03nota_leetle_Ԁbeetle83.417.34_featherweighed_Ԁ79.418.05_capsizer_Ԁofhisantboat,_sekketh_Ԁ_rede_Ԁ87.419.23letterpotenttoplaythesembackwards75.422.15hisprinceofthe_apauper_'spride,blunderingalloverthetwoworlds!51.422.16a_mosselman_'spresent!54.425.20my_trifolium_Ԁ_librotto_,the_authordux_ԀBookofLief,would,ifgiventodaylight,(1holdamostincrediblefaithaboutit)farexceedwhatthatbogusbolshyofashame,my_soamheis_Ԁbrother,_Gaoy_ԀF_ecks_,iscon-_versant_Ԁwithinaudibleblackandprink72.426.03whowouldendeavourtosetever_annyma_Ԁ_roner_Ԁ_moother_Ԁofmineon_fIre_.48.426.07hevirtuallybrokedownonthe_mooherhead_Ԁ48.BookIII,sectionii(429-73)435.23Keepair1yboresandthewormis_yores_Ԁ49.437.19(Oop,Ineveropen_momouth_ԀbutIpack_mefood_Ԁinit)75449.27thebarkofSaint_Grouseus_Ԁ81..     p 104  m#+ 449.28_hoerrisings_Ԁ50.450.10_lov'd_Ԁ_latakia_,the_benuvolent_Ԁ83.452.06_sotisfiction_Ԁ56.452.09_besated_Ԁuponmytripos,andjustthinkinglike_thauthor_ԀhowlongI'dlikemyselftobecontinuedat_Hothelizod_Ԁ56.452.18throughalltheannalsofour-asyousooftentermher-_efferfresh_-painted_livy_Ԁ,in_beautific_Ԁrepose,uponthesilenceofthedead,from_pharoph_Ԁthe_nextflrst_Ԁdownto_ramescheckles_Ԁthelastbustthing56.452.21The_Vico_Ԁroadgoesroundandroundtomeetwheretermsbegin56.454.30inthe_suburrs_Ԁoftheheavenlygardens,onceweshallhavepassed,_af_-tersurceases,allserenethroughneckand_necklike_ԀDerbyandJunetooursnugeternalretribution'sreward65.454.34;454.35Sacredeasethere!...Toit,toit!_Seekit_Ԁ_headup_!56;65;87.455.05;455.06It'sthe_fulldress_Ԁ_Toussaint_'s_wakeswalks_Ԁexpeditionafterabailmotionfromthechamberof_horrus_Ԁ79.455.07likeitandlumpit,butgiveitaname77.457.20Lookformealwaysatmywest37.462.05Astiffonefor_Staffetta_Ԁ_mullified_Ԁwithcreamsof_hourmony_,thecoupethat'schillfor_jackless_Ԁ_jill_Ԁ48.470.07_piopadey_Ԁboy74.470.13-20_dosiriously_Ԁit_psalmodied_._Guesturn_'s_lothlied_Ԁ_answring_Ԁto-_maronite_'swail.Oasis,_cedarous_Ԁ_esaltarshoming_Ԁ_Leafboughnoon_Ԁ!_Oisis_,_coolpressus_Ԁ_onmountof_ԀSighing!Oasis,_palmost_Ԁ_easltarshoming_Ԁ_Gladdays_!_Oisis_,_phantastichal_Ԁ_roseway_Ԁ_anjerichol_!Oasis,_newleavos_Ԁ_spaciosing_Ԁ_encampness_!_Oisis_,_plantainous_Ԁ_dewstuckacqmirage_Ԁ_playtennis_!46.471.36exportstoutfellow31.472.20_victorihoarse_Ԁ49.473.17Shootuponthat,bright_Bennu_Ԁbird!83.BookIII,sectioniii(474-554)480.09themidnightmiddy31;40.482.05-White_eyeluscious_Ԁand_muddyhorsebroth_!Pig_Pursyriley_!Butwheredowegetoff,chiseller?76.482.33bookofkills72.486.14thelordof_Tuttu_Ԁ37,n.9.     p 105  $$t, 486.21this_serpe_Ԁwith_ramshead_Ԁ76,n.18490.27a_redtettetterday_Ԁmorning73.491.31Hewasrestingbetween_horrockses_'sheets45.492.08AndAnnie_Delittle_,his_daintree_Ԁdiva,in_deltic_Ԁ_dwilights_,singinghimhenpecked_rusish_Ԁthroughthebars?43.493.23the_massstab_Ԁ61.493.28_Irise_,_Osirises_!Bethymouthgivenuntothee!14;28;39;61;89.493.30Onthe_vignetto_Ԁisa_ragingoos_.Theoverseerofthehouseoftheover-sireoftheseas,Nu-Men,triumphant,_sayeth_:Flyasthehawk,cryasthecorncrake,AniLatchoftheposternisthyname;shout!73.493.34-Myheart,mymother!Myheart,mycomingforthofdark-ness!80.494.03_flabberghosted_Ԁ_farmament_Ԁ65.494.10_Satarn_'sserpentringsystem52.494.15-_Apep_Ԁand_Uachet_!Holysnakes52.498.30erica'sclusteredonhis_hayir_Ԁ31.498.36healedcuredand_embalsemate_,pendinga_rouseruction_Ԁofhisbogey32;67.499.10SerOhSer!SeeahSee!_Hamovs_!_Hemoves_!39.503.36cladinitswood,_burqued_Ԁbyitsbark31.504.23bird_flamingans_Ԁ_sweeny_Ԁswinging_fuglewards_Ԁonthe_tipmast_Ԁ84.511.30_abudgeofklees_Ԁ14.512.34TootandCome-Inn63,n.6530.34He's_cookinghagar_Ԁthat_rost_Ԁherprayertohimuponthetopofthestairs38.551.21themeed,shall,intheirsecond_adams_,allbemadealive63.551.30wasInot_rosetted_Ԁontwo_stellas_Ԁoflittle_egypt_?hadnotIrockcutreaders,_hieros_,_gregos_Ԁand_democriticos_?18,n.9.553.10_chopes_Ԁ_pyrarnidous_Ԁ62.BookIII,sectioniv(555-90)559.35oldmother_Mesopotomac_Ԁ43,n.18.561.02roomsontheupstairs,at_forkflank_Ԁandat_knifekanter_.Whominthewoodaretheyfor?Why,forlittlePorterbabes,tobesaved!70.561.25behold,shehad_instantt_Ԁwithherhandmadeasto_graps_Ԁthemythin-midtheair.48.566.29Thatcrag!Those_hullocks_!OSire!34;35.566.34;566.35;   ' 566.36soastarkpointingpole.Lordofladders,whatfor_lungitube_!Canyoureadtheverstlegendhereon?Iam_hather_Ԁofthemissed._Areed_!34;35;38;66.566.36Tothe_dunleary_Ԁobeliskviatherockvhat_myles_Ԁ_knox_Ԁfurlongs;tothegeneral's_postoffice_Ԁhowsandsofpatience;totheWellingtonmemo-rialhalfaleague_wrongwards_;toSara'sbridgegoodhunterandninetomeether:tothepoint,oneyeoman'syard.66;66,n.9567.05asettingup?34.567.06(0mybig,0mybog,0my_bigbagbone_!)35.567.09tet-at-tet35.567.10effigyofstandardroyal35.567.10_roofstaff_Ԁ35.570.06asnowof_dawnflakes_,atdarkfa1lforGrace's_Mamnesty_Ԁandourfancyladies,a1l_assombred_.Some_wholetime_Ԁinhottowntonight!Youdonothaveheard?Itstaysinbookofthatwhichis57.570.09;570.12Wellbutremindtothink,youwhere_yestoday_Ԁ_Ys_Ԁ_Morganas_Ԁwarandthatitisalwaystomorrowin_toth_'stother'splace.Amen.,57;87.CE.,UK.,EUKCE.,570.28;570.29Hereweshalldoafarwalk(0pity)_anygo_Ԁ_khaibits_Ԁtillthenumberoneof_sairey_'splace.Is,is.57;70.CE.,UK.,vUKCE.,570.35ItisStealeroftheHeart!88CE.,UK., wUKCE.,571.02_Seekhem_Ԁ_seckhem_!70.CE.,UK.,rwUKCE.,578.11Mr_O'Sorgmann_Ԁ41.CE.,UK.,wUKCE.,578.13He'sthedibble'sowndogesfor_doublin_Ԁexistents!41.CE.,UK.,axUKCE.,580.17hertour_d'adieu_Ԁ43.CE.,UK.,xUKCE.,587.32our_grainpopaw_Ԁ70.CE.,UK.,UyUKCE.,588.24_Izzy_'sbusydownthedell!43;46.CE.,UK.,yUKCE.,BookIV(593-628)593.23Fu_Nuseht_,lordofrisingsinthe_yonderworld_Ԁof_Ntamplin_,tohptriumphant,_speaketh_.80;80,n.22.594.08_Heliotropolis_Ԁ80,n.22.595.05dotter78.595.07_Geoglyphy_'s_twentynine_Ԁwaystosay_goodbett_Ԁ77;78.595.21Sureit'snot_revieng_Ԁyour?_Amslu_!50.595.30Conkadookhe'lldoo._Svap_.50.596.27quiteabigbug83.604.07Howswathed_thereanswer_Ԁalcovemakes_theirinn_!_Besoakers_Ԁloiteron.And_primilibatory_Ԁ_solicates_Ԁoflimon_sodias_Ԁwillbeabsorb-able67.607.24_Dayagreening_Ԁ87.607.26_dimbelowstard_Ԁ_departamenty_Ԁ86.607.27_hothehill_Ԁ86.  107  '#1 _608.21Sawyest?Nodt?43.608.32thePhoenicanwakes43.609.35AnIwoulduscertainindruidfulscatteringsonepiecetallchaphestandonepiecesameplace?40.613.18Amenta86620.31I'llwait.AndI'llwait.Andthenifallgoes.Whatwillbeis.Isis42.621.03thebookofthedepthis72.624.08TheGowans,ser,forMedem,me.Withacutebubelruntoerfortopippupandgopeepwherethesterresbe62.625.02beardwig65.625.04Pharaopsyou'llplayyou'rethekingofAeships65.~~CE.,UK.,3zUKCE.,     p  108#XeXXX#CE.,UK.,i